| Dora Apel - 2004 - 284 str.
Outside of the classroom and scholarly publications, lynching has long been a taboo subject. Nice people, it is felt, do not talk about it, and they certainly do not look at ... | |
| Dora Apel - 2012 - 272 str.
War Culture and the Contest of Images analyzes the relationships among contemporary war, documentary practices, and democratic ideals. Dora Apel examines a wide variety of ... | |
| Dora Apel - 2015 - 232 str.
Once the manufacturing powerhouse of the nation, Detroit has become emblematic of failing cities everywhere—the paradigmatic city of ruins—and the epicenter of an explosive ... | |
| Dora Apel, Shawn Michelle Smith - 2007 - 108 str.
Presents an analysis of lynching photographs, covering their history, meanings, uses, and displays. | |
| Moishe Postone, Eric L. Santner - 2003 - 283 str.
How should we understand the relation of the Holocaust to the broader historical processes of the century just ended? How do we explain the bearing of the Holocaust on problems ... | |
| Barbie Zelizer - 2000 - 375 str.
A book that looks at both the traditional and the unconventional ways in which the holocaust has been visually represented. The purpose of this volume is to enhance our ... | |
| Omer Bartov - 1996 - 262 str.
He shows how the way we understand ourselves reflects the ambivalent effects of the Holocaust on our perceptions of war and violence, history and memory, progress and barbarism. | |
| Julia Epstein, Lori Hope Lefkovitz - 2001 - 260 str.
Shaping Losses explores how traumatic loss affects identity and how those who are shaped by loss give shape, in turn, to the empty place where something--relationships, family ... | |
| R. Eaglestone, B. Langford - 2007 - 170 str.
The representation of the Holocaust in literature and film has confronted lecturers and students with some challenging questions. Does this unique and disturbing subject demand ... | |
| Gary Weissman - 2004 - 290 str.
Introduction: to feel the horror -- Reading Wiesel -- The Holocaust experience -- Shoah illustrated -- Steven Spielberg and the sensitive line -- Claude Lanzmann and the Ring ... | |
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