A Critical History of English Literature, Svazek 4Secker & Warburg, 1969 - Počet stran: 1211 |
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Strana 875
... poets they were . William Wordsworth ( 1770-1850 ) brought a completely new ap- proach to the writing of English poetry . His objections to an over- stylized poetic diction , his attitude to Nature , his choice of simple incidents and ...
... poets they were . William Wordsworth ( 1770-1850 ) brought a completely new ap- proach to the writing of English poetry . His objections to an over- stylized poetic diction , his attitude to Nature , his choice of simple incidents and ...
Strana 877
... poetry , which was built on recollection of such moments , would fail too , whatever the poet's technical resources ... poetry which was less dependent on the original moment , a poetry of moral rhetoric which is often ( as in the best ...
... poetry , which was built on recollection of such moments , would fail too , whatever the poet's technical resources ... poetry which was less dependent on the original moment , a poetry of moral rhetoric which is often ( as in the best ...
Strana 977
... poetry , we must also set our standard for poetry high , since poetry , to be capable of fulfilling such high desti- nies , must be poetry of a high order of excellence . " In his introduc- tion to Ward's English Poets ( reprinted as ...
... poetry , we must also set our standard for poetry high , since poetry , to be capable of fulfilling such high desti- nies , must be poetry of a high order of excellence . " In his introduc- tion to Ward's English Poets ( reprinted as ...
Obsah
VOLUME | 855 |
SHELLEY KEATS AND BYRON | 905 |
FAMILIAR CRITICAL AND MISCELLANEOUS PROSE OF | 935 |
Autorská práva | |
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achieve Arnold attitude ballad beauty Blake blank verse Byron century character Coleridge colloquial combination comedy comic contemporary criticism D. H. Lawrence death deliberately developed Dickens dramatic E. M. Forster effect eighteenth-century Eliot emotional England English English poetry essays experience feeling fiction French Revolution George Eliot give hero human ideal ideas imagery images imagination individual influence intellectual interest irony Keats kind language literary literature living meaning medieval melodrama mind modern mood moral movement moving narrative nature neo-Platonic never nineteenth novel novelist passion pattern plays poem poet poetic poetry political Pre-Raphaelite present problems produced prose reader relation rhythms romantic romanticism Ruskin satire scene sense sentimental Shelley shows significant social society sometimes stanza story style suggestion symbolic T. S. Eliot Tennyson theme things thought tion tone tradition verse Victorian Virginia Woolf vision W. S. Gilbert whole words Wordsworth writing Yeats