The Absent ShakespeareFairleigh Dickinson Univ Press, 1994 - Počet stran: 174 Building on recent textual studies of King Lear and Hamlet, which compare Folio and Quarto differences, Mirsky sees them not just as an opportunity to view the playwright revising toward more skillful staging, greater complexity of plot, and ambiguity of character. The process of revision also exposes a personal Shakespeare. Differences between Folio and Quarto texts show the growing sophistication of Shakespeare's dramatic craft and reveal how the playwright changed as he matured. The book presents a dramatist maturing in time, grappling with incest, patricide, filicide, erotic love, and the inevitability of death. It finds this naked Shakespeare in Macbeth and The Tempest as well, expressed in the riddles of the plays. The author refers not only to the text of Shakespeare but also to the plays in performance - suggesting how the actor's reading and interpretation lay bare the intentions of the playwright on the stage. |
Vyhledávání v knize
Výsledky 1-5 z 37
Strana 9
... gives absolute line counts , rather than using the device of act , scene , line number ( within the scene ) . To simplify the task of the reader wishing to check the text against other editions I have usually followed the convention of ...
... gives absolute line counts , rather than using the device of act , scene , line number ( within the scene ) . To simplify the task of the reader wishing to check the text against other editions I have usually followed the convention of ...
Strana 15
... gives a succinct statement of Shakespeare's absence from his own text : " There was no one in him ; behind his face ( which even through the bad paintings of those times resembles no other ) and his words , which were copious ...
... gives a succinct statement of Shakespeare's absence from his own text : " There was no one in him ; behind his face ( which even through the bad paintings of those times resembles no other ) and his words , which were copious ...
Strana 19
... give Cordelia , her " young love , " to suitors , either the clinging embrace implicit in " The Vines of France " or the cowish Duke characterized through the " Milk of Burgundy " ( FF.1.1 : 90 ) as timorous and fearful — and so he ...
... give Cordelia , her " young love , " to suitors , either the clinging embrace implicit in " The Vines of France " or the cowish Duke characterized through the " Milk of Burgundy " ( FF.1.1 : 90 ) as timorous and fearful — and so he ...
Strana 21
... Give me thy arm " of the dying Duke is mocked . ) Something is amiss , troubled , their pledges of love to their father in the first scene as Cordelia divines , disgrace them . " Why have my Sisters Husbands , if they say / They love ...
... Give me thy arm " of the dying Duke is mocked . ) Something is amiss , troubled , their pledges of love to their father in the first scene as Cordelia divines , disgrace them . " Why have my Sisters Husbands , if they say / They love ...
Strana 26
Omlouváme se, ale obsah této stránky je nepřístupný..
Omlouváme se, ale obsah této stránky je nepřístupný..
Obsah
15 | |
19 | |
The Itch Revises | 33 |
Hamlets Father | 47 |
The Shadows Dance | 71 |
Macbeths Child | 99 |
What Prospero Knows | 125 |
Shakespeares Myth | 141 |
Notes | 147 |
169 | |
172 | |
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Běžně se vyskytující výrazy a sousloví
action actor Alfred Harbage ambition anger anxiety audience Banquo begins Caliban calls child Claudius Claudius's conscience Cordelia court cries dark daughter dead death doth drama dream echo Edgar Edited Edmund erotic evil fantasy father fear Ferdinand flesh Folio Fool foul Gertrude Gertrude's Ghost Gloucester Gloucester's Gonerill grave Hamlet hath hear Heaven Hesiod Horatio husband incestuous innocent joke King Lear King's Lady Macbeth Laertes Laertes's latter Lear's lines look Lord Macduff madness magic mind Miranda mock mole mother murder nature never Oedipus Ophelia Osric Pillicock play playwright plot Polonius Prince Prince Hamlet Prince's Prospero question reality reference Regan remark revenge riddle scene Second Quarto seems sense sexual Shake Shakespeare sisters sleep soliloquy Sophocles speaks speech stage suggests suicide T. S. Eliot Tempest thee thou tion tragedy Urkowitz W. W. Greg wife William Shakespeare witches word
Oblíbené pasáže
Strana 21 - Hear, Nature, hear ! dear goddess, hear ! Suspend thy purpose, if thou didst intend To make this creature fruitful ! Into her womb convey sterility ! Dry up in her the organs of increase, And from her derogate body never spring A babe to honour her...