Twentieth-century Drama Dialogue as Ordinary Talk: Speaking Between the LinesAshgate, 2007 - Počet stran: 138 In this book, Susan Mandala offers a series of in-depth investigations into how the dialogue of four modern plays 'works' with respect to the pragmatic and discoursal norms postulated for ordinary conversation. After an account of the often-heated debates between linguists and critics concerning the analysis of drama dialogue as talk, four plays are considered: Harold Pinter's The Homecoming, Arnold Wesker's Roots, Terence Rattigan's In Praise of Love, and Alan Ayckbourn's Just Between Ourselves. For readers unfamiliar with linguistic approaches to talk, a chapter outlining the major frameworks used in the analysis of the plays is also included. By considering both linguistic and literary perspectives, this book extends the boundaries of traditional criticism and shows how the linguistic study of conversation can contribute to our understanding of dramatic dialogue. |
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Strana 29
... expect a non - verbal response , they , unlike Requestives , are made with the assumption that addressees will ... expect only minimal acknowledgements or supportive comments ( see Tsui 1994 : 54-5 for a detailed account ) . Before going ...
... expect a non - verbal response , they , unlike Requestives , are made with the assumption that addressees will ... expect only minimal acknowledgements or supportive comments ( see Tsui 1994 : 54-5 for a detailed account ) . Before going ...
Strana 30
... expect only verbal responses . Elicitations , however , are stronger than Informatives , because they call for more substantial verbal responses ( e.g. full answers rather than simple acknowledgements ) . As Tsui ( 1993 : 92 ) goes on ...
... expect only verbal responses . Elicitations , however , are stronger than Informatives , because they call for more substantial verbal responses ( e.g. full answers rather than simple acknowledgements ) . As Tsui ( 1993 : 92 ) goes on ...
Strana 84
... expect others to ) minimize the expression of antipathy and maximize the expression of sympathy in talk unless they have a good reason not to ( Leech 1983 : 132 ) . Had new wave criticism not been so eager to devalue Rattigan's ...
... expect others to ) minimize the expression of antipathy and maximize the expression of sympathy in talk unless they have a good reason not to ( Leech 1983 : 132 ) . Had new wave criticism not been so eager to devalue Rattigan's ...
Obsah
Drama Dialogue and Talk | 1 |
Approaches to Talk | 31 |
The Language of Conversation | 37 |
Autorská práva | |
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accept action actually allows analysis answer apparent attempt audience Beatie becomes Brown and Levinson Bryants called Cambridge Challenge Chapter characters cited clear clearly communication concern considered conversation critics demonstrated Dennis dialect dialogue direct discourse discussion drama English Esslin evidence example exchange expected express flouts framework further given Grice hearer Homecoming indicate initiating interaction interest interpretation issues kind language Lenny Lenny's lines linguistic literature London look Love Lydia Mark maxim mean move nature Neil notes notice observe occur offer opening ordinary participants performance Pinter's play politeness positive present Press prospect question Quigley Rattigan reason reference relationship reply represented request response reveals Roots Ruth Sebastian Short simply speaker speaking speech structure stylistics suggests talk Taylor tell things Tsui turns typically understanding utterance Wesker writing York