Twentieth-century Drama Dialogue as Ordinary Talk: Speaking Between the LinesAshgate, 2007 - Počet stran: 138 In this book, Susan Mandala offers a series of in-depth investigations into how the dialogue of four modern plays 'works' with respect to the pragmatic and discoursal norms postulated for ordinary conversation. After an account of the often-heated debates between linguists and critics concerning the analysis of drama dialogue as talk, four plays are considered: Harold Pinter's The Homecoming, Arnold Wesker's Roots, Terence Rattigan's In Praise of Love, and Alan Ayckbourn's Just Between Ourselves. For readers unfamiliar with linguistic approaches to talk, a chapter outlining the major frameworks used in the analysis of the plays is also included. By considering both linguistic and literary perspectives, this book extends the boundaries of traditional criticism and shows how the linguistic study of conversation can contribute to our understanding of dramatic dialogue. |
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Strana 39
... relationship between an utterance and what follows it , including silence , as Quigley ( 1975 : 55 ) also realized ... relation to understanding Pinter's dialogue . " There is a strong social pressure available in language The Language ...
... relationship between an utterance and what follows it , including silence , as Quigley ( 1975 : 55 ) also realized ... relation to understanding Pinter's dialogue . " There is a strong social pressure available in language The Language ...
Strana 40
... relationship on the terms of the first speaker ; to reply outside of that range is to qualify or reject the common ground of the relationship as envisaged by the first speaker ( Quigley 1975 : 55 ) . Thus , realizes Quigley , what will ...
... relationship on the terms of the first speaker ; to reply outside of that range is to qualify or reject the common ground of the relationship as envisaged by the first speaker ( Quigley 1975 : 55 ) . Thus , realizes Quigley , what will ...
Strana 41
... relationship so that we may perceive the fact of change , the location of change , and ultimately , the significance of ... relation to each other , but to the order of events in the play . Of the scene when Teddy and Lenny are reunited ...
... relationship so that we may perceive the fact of change , the location of change , and ultimately , the significance of ... relation to each other , but to the order of events in the play . Of the scene when Teddy and Lenny are reunited ...
Obsah
Drama Dialogue and Talk | 1 |
Approaches to Talk | 31 |
The Language of Conversation | 37 |
Autorská práva | |
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accept action actually allows analysis answer apparent attempt audience Beatie becomes Brown and Levinson Bryants called Cambridge Challenge Chapter characters cited clear clearly communication concern considered conversation critics demonstrated Dennis dialect dialogue direct discourse discussion drama English Esslin evidence example exchange expected express flouts framework further given Grice hearer Homecoming indicate initiating interaction interest interpretation issues kind language Lenny Lenny's lines linguistic literature London look Love Lydia Mark maxim mean move nature Neil notes notice observe occur offer opening ordinary participants performance Pinter's play politeness positive present Press prospect question Quigley Rattigan reason reference relationship reply represented request response reveals Roots Ruth Sebastian Short simply speaker speaking speech structure stylistics suggests talk Taylor tell things Tsui turns typically understanding utterance Wesker writing York