Twentieth-century Drama Dialogue as Ordinary Talk: Speaking Between the LinesAshgate, 2007 - Počet stran: 138 In this book, Susan Mandala offers a series of in-depth investigations into how the dialogue of four modern plays 'works' with respect to the pragmatic and discoursal norms postulated for ordinary conversation. After an account of the often-heated debates between linguists and critics concerning the analysis of drama dialogue as talk, four plays are considered: Harold Pinter's The Homecoming, Arnold Wesker's Roots, Terence Rattigan's In Praise of Love, and Alan Ayckbourn's Just Between Ourselves. For readers unfamiliar with linguistic approaches to talk, a chapter outlining the major frameworks used in the analysis of the plays is also included. By considering both linguistic and literary perspectives, this book extends the boundaries of traditional criticism and shows how the linguistic study of conversation can contribute to our understanding of dramatic dialogue. |
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Strana 30
... response ' ( see also Stenström 1994 : 92 ) .5 In terms of elicitative force , Directives and Requestives are strongest because they call primarily for actions , whereas Elicitations and Informatives expect only verbal responses ...
... response ' ( see also Stenström 1994 : 92 ) .5 In terms of elicitative force , Directives and Requestives are strongest because they call primarily for actions , whereas Elicitations and Informatives expect only verbal responses ...
Strana 32
... Response is made at Ti , however , a different set of choices opens up ( Tsui 1994 : 223 ) . Speakers can make one of three different kinds of Responses : Positive Responses , Negative Responses , or Temporizations ( Tsui 1994 : ch . 8 ) ...
... Response is made at Ti , however , a different set of choices opens up ( Tsui 1994 : 223 ) . Speakers can make one of three different kinds of Responses : Positive Responses , Negative Responses , or Temporizations ( Tsui 1994 : ch . 8 ) ...
Strana 109
... response in his next move as the interaction continues ( ' I suppose its nature really , isn't it ? ' : 49 ) , an indication that he was not satisfied with Dennis's minimal Uh - huh . In response , all he receives from Dennis is yet ...
... response in his next move as the interaction continues ( ' I suppose its nature really , isn't it ? ' : 49 ) , an indication that he was not satisfied with Dennis's minimal Uh - huh . In response , all he receives from Dennis is yet ...
Obsah
Drama Dialogue and Talk | 1 |
Approaches to Talk | 31 |
The Language of Conversation | 37 |
Autorská práva | |
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accept action actually allows analysis answer apparent attempt audience Beatie becomes Brown and Levinson Bryants called Cambridge Challenge Chapter characters cited clear clearly communication concern considered conversation critics demonstrated Dennis dialect dialogue direct discourse discussion drama English Esslin evidence example exchange expected express flouts framework further given Grice hearer Homecoming indicate initiating interaction interest interpretation issues kind language Lenny Lenny's lines linguistic literature London look Love Lydia Mark maxim mean move nature Neil notes notice observe occur offer opening ordinary participants performance Pinter's play politeness positive present Press prospect question Quigley Rattigan reason reference relationship reply represented request response reveals Roots Ruth Sebastian Short simply speaker speaking speech structure stylistics suggests talk Taylor tell things Tsui turns typically understanding utterance Wesker writing York