MacbethPenguin, 1967 - Počet stran: 200 In its concentration of interest upon the protagonists, Macbeth can be seen as Shakespeare's experiment in unity of focus, whose chief appeal arises from the struggles of the central characters with each other and with the infernal powers that inspire or govern them. Over the centuries, the vision of directors like Welles, Nunn and Polanski, as well as the eloquent talents of actors like Garrick, Siddons, Olivier and McKellen have contributed to the central debate of the play: Who or what is culpable? Bernice W. Kliman, in her analysis of Macbeth in performance, examines major productions of the play on both stage and screen, thereby inviting the reader to contemplate directors' and actors' choices for what is arguably Shakespeare's most compelling play. |
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Výsledky 1-5 z 13
Strana 21
... Hecat reminds us ( III.5.32–3 ) that you all know security Is mortals ' chiefest enemy . This is a useful reminder , for the word is one that has lost its relevant meaning . The Oxford English Dictionary tells us that it is ' archaic ...
... Hecat reminds us ( III.5.32–3 ) that you all know security Is mortals ' chiefest enemy . This is a useful reminder , for the word is one that has lost its relevant meaning . The Oxford English Dictionary tells us that it is ' archaic ...
Strana 35
... Hecat scenes . The learned approved the innovation ; but the populace wanted to see the Ghost , and producers were obliged to restore him . Since that time various learned hands have sought to expunge the ghost from this scene , but ...
... Hecat scenes . The learned approved the innovation ; but the populace wanted to see the Ghost , and producers were obliged to restore him . Since that time various learned hands have sought to expunge the ghost from this scene , but ...
Strana 42
... Hecat , and these deserve fuller discussion . Hecat appears twice ( III.5.1-35 , and IV.1.38-43 ) , though she is mentioned on several other occasions , and in both these appearances ( as in one other passage , IV.1 . 124-31 , when she ...
... Hecat , and these deserve fuller discussion . Hecat appears twice ( III.5.1-35 , and IV.1.38-43 ) , though she is mentioned on several other occasions , and in both these appearances ( as in one other passage , IV.1 . 124-31 , when she ...
Strana 43
... Hecat lines sound different ; they refer to a different relationship between Macbeth and the Witches . In Act III , scene 5 , Hecat rebukes the Witches for unauthorized dealings with Macbeth who Loves for his own ends , not for you ...
... Hecat lines sound different ; they refer to a different relationship between Macbeth and the Witches . In Act III , scene 5 , Hecat rebukes the Witches for unauthorized dealings with Macbeth who Loves for his own ends , not for you ...
Strana 51
Omlouváme se, ale obsah této stránky je nepřístupný..
Omlouváme se, ale obsah této stránky je nepřístupný..
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Alarums Banquo Birnan Wood blood Cleanth Brooks daggers dare Davenant's dead death deed DOCTOR Donalbain Dunsinane E. M. W. Tillyard Edward the Confessor Enter Lady Macbeth Enter Macbeth equivocator evil Exeunt Exit Exit Ghost eyes face father fear feast Fleance Folio GENTLEWOMAN Ghost give Glamis grace green one red Hail hand hath heart heaven Hecat honour i'the instruments of darkness King of Scotland Knock Lady Macduff LENNOX look lord Macduff MALCOLM MENTETH MESSENGER mind mislineation moral MURDERER MACBETH nature night noble o'the Penguin Books play pray printed ROSS royal scene Scotland SECOND WITCH seems sense Servant Seyton Shake Shakespeare sleep song speak speech stage direction strange sword Thane of Cawdor thee There's thine things THIRD MURDERER THIRD WITCH thou thought three Witches throne traitor tyrant Weird Sisters wife word write to Penguin YOUNG SEYWARD
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Unnatural Selection: Technology, Politics, and Plant Evolution Cary Fowler Náhled není k dispozici. - 1994 |