Obrázky stránek
PDF
ePub

its very name imports a degree of refpect for the parental character and authority, which approaches, in fome proportion, to that with which each individual should regard the Universal Parent and Benefactor of Mankind. Children should look to their parents, not with veneration only, as the authors of their being, but with deference and fubmiffion, as their best counsellors and directors in all the dangers and difficulties of life. This is beautifully expreffed in The Double Falfhood:'

The voice of parents is the voice of gods;
For to their children they are Heaven's

lieutenants :

Made fathers not for common ufes merely
Of procreation (beasts and birds would be
As noble then as we are) but to steer
The wanton freight of youth thro' storms
and dangers,

Which with full fails they bear upon :
and ftraiten

The moral line of life, they bend so often."
For these are we made fathers: and for

these

May challenge duty on our children's part.
Obedience is the facrifice of angels,
Whofe form you carry-

A&t v. Sc. 2.

Virgin Refolution.

Hermia. I do entreat your grace to par

don me.

I know not by what power I am made

bold;

Nor how it may concern my modelty,
In fuch a prefence here, to plead my
thoughts:

But I beseech your grace, that I may know
The worst that may befall me in this cafe,

If I refufe to wed Demetrius.

Thefeus. Either to die the death, or to
abjure

For ever the fociety of men.
Therefore, fair Hermia, queftion your

examine well your

defires, Know of your youth blood, Whether if you yield not to your father's

choice,

You can endure the livery of a nun;
For ayet to be in fhady cloister mew'd,

[blocks in formation]

nefs.

Hermia. So will I grow, fo live, fo
die, my lord,

Unto his lordship, to whofe unwish'd yoke
Ere I will yield my virgin patent up
My foul confents not to give fovereignty.

The filial disobedience of Hermia
is here not merely blameless but vir-
tuous. If obedience be the natural
duty of a child, it must be allowed,
at the fame time, that the exertion of
parental authority fhould be natural
alfo. But nothing can be natural, in
a virtuous fenfe, which is unreafon-
able; nor can any thing be reasonable
which is unjuft. To compel a
ter to an irrevocable act, by which
daugh-
all her happiness in life must be de-
ftroyed, is not to fuftain the parental
character of a wife counfellor and be-
nevolent protector, to whom every
degree of filial veneration is due, but
it is to act the part of an arbitrary
tyrant, whofe deftructive dictates,
founded in caprice, it is certainly
lawful to difobey. In France, before
the late Revolution, the parental au-
thority was as defpotic as the regal
power. The Solonian law of life and
death did not, indeed, exist in that
country; but difobedience to the pa-
rental dictates, in the momentous ar-
ticle of marriage, could be punished
with the lofs of liberty, and of all that
could render life defirable to a fuf-.
ceptible and virtuous mind: A lettre-
de-cachet could plunge an unoffending
fon in the dungeons of the Baftille,
or immure in the fhady cloifter' the
blooming and exemplary daughter.
Marriage was commonly a circum
ftance of convenience and ftipulation
Confider your youth.
+ For ever.

Bring your youth to the question. See Mifs Williams' affecting History of Monfieur and Madame Du F- in our Magazine for January and February 1791.

X X 2

between

:

between the refpective parents, in which the inclinations of the young couple were too often neglected. The marriages, in courfe, were feldom happy where mutual affection did not previously exift, the cultivation of it, afterward, was never thought of: the tender charities,' the delightful prefervatives of love, were forgotten in the fafcinating follies of diffipation: and feldom could the married pair exclaim with Taffo, O dolce congiuntione de' cuori! O foave unione de gli animi noftri!-Sweet alliance of hearts, delightful union of our fouls!' Or exhibit the charming picture of conjugal felicity in Milton's hymn: Here Love his golden fhafts employs, here lights

His conftant lamp, and waves his purple wings,

Reigns here and revels.

[blocks in formation]

Could ever hear by tale or history,
The courfe of true love never did run
fmooth:

But, either it was different in blood;
Or elfe mifgraffed, in refpect of years;
Or elfe it ftood upon the choice of friends:
Or, if there were a fympathy in choice,
War, death, or ficknefs did lay fiege to it;
Making it momentary as a found,
Swift as a fhadow, fhort as any dream;
Brief as the lightning in the colly'd night,
That, in a fpken, unfolds both heaven
and earth,

And ere a man hath power to say -Be

hold!

[blocks in formation]
[blocks in formation]

The word colly'd (that is, black, fmutted with coal, a word ftill used in the midland counties) conveys the idea of fomething more than black, a perfectly dark and footy night, which renders the glare of the lightning more difmal; that in a fpleen (a moment, on a fudden) darts its blue light, and difplays the creation, juft now thickmantled in night; and before we can even speak to obferve it, the jaws of darknefs devour it up.' The circumftances of the deep darkness of the night; the glare of the lightning, in an inftant bringing to view heaven and earth, the momentary duration of it, not fo long as while a man can fpeak; and its being inftantly devoured by the jaws of darkness; are fuch as place the image immediately before our the moft fublime and admired of anfight, and rank the paffage among cient or modern poetry.

Beautiful Praife from a Rival.

Hermia. God fpeed, fair Helena! Whither away?

Helena. Call you me fair? that fair again unfay.

Demetrius loves you, fair: O happy fair! Your eyes are lode-stars tongue's sweet air

and your

*This was a compliment not unfrequent among the old poets. The lode-star is the leading or guiding ftar, that is, the pole ftar. The magnet is, for the fame reafon, called the lode-ftone, either because it leads iron, or because it guides the failor. Milton, in L'Allegro, has the fame idea:

Towers and battlements he fees,
Bofom'd high in tufted trees :
Where perhaps fome beauty lies,
The cofure of neighb'ring eyes,

More

[blocks in formation]

Magic Power of Love.

Hermia. Take comfort; he no more fhall fee my face; Lyfander and myself will fly this place. Before the time I did Lyfander fee, Seem'd Athens as a paradife to me : O then, what graces in my love do dwell, That he hath turn'd a heaven unto a hell!

There is a beautiful propriety in thefe lines. Hermia is willing to comfort Helena, and to avoid all appearance of triumph over her. She 'bids her, therefore, not to confider the power of pleafing as an advantage much to be envied or defired; fince Hermia, whom the confiders as poffeffing it in a fupreme degree, has found no other effects from it than the lofs of happiness.

Moon-light Night.

Lyfander. To-morrow-night, when
Phoebe doth behold

Her filver vifage in the wat'ry glafs,
Decking with liquid pearl the bladed grafs,
Through Athens' gates have we design'd
to fteal.

Whenever any incidental defcription of natural scenery occurs in Shakfpeare, it feldom fails to attract attention, although it may not convey any ftriking fentiment or moral. And the Moon-light appears a favourite fubject with him. Thus, in the first fcene of this act :

The moon, like to a filver bow New-bent in heaven, fhall behold the night Of our folemnities.

Again, in the Merchant of Venice: The moon fhines bright: in fuch a night as this, When the fweet wind did sweetly kiss the

[blocks in formation]
[blocks in formation]

Favour is feature, countenance.
To tranflate, in our author, fometimes fignifies to change, to transform.
Quality feems a word more fuitable to the fenfe; but either may ferve.

This

This effect upon the Lover is more ftrongly defcribed by Thefeus, in the firft fcene of the fifth act:

The Lover, all as frantic, Sees Helen's beauty in a brow of Egypt.

Our bard has hinted a moral, on this latter fubject, with regard to irregular or misplaced affection, as Dr. Warburton has justly obferved, by as fine a metamorphofis as any in Ovid,' in the last lines of the following fpeech, the whole of which is proper to be tranfcribed here, in order to fhew how justly and poetically he has pointed to the different effects of paffion upon bufy and contemplative, as well as on idle and diffipated minds.

Oberon. That very time I faw (but thou couldst not)

Flying between the cold moon and the earth,

Cupid all arm'd a certain aim he took At a fair veftal, throned by the west * And loos'd his love-fhaft smartly from his bow,

As it should pierce a hundred thousand

hearts:

[blocks in formation]

I must go feek fome dew-drops here,
And hang a pearl in every cowflip's ear,

The cowflip was a favourite flower among the fairies; and, in the pasfage before us, our bard has chosen the golden-coated cowflips, as penfioners to the fairy-queen, as the dress of the band of gentlemen-penfioners was very fplendid in the time of queen Elizabeth, and the tallest and handfomeft men were generally chofen by her for that office. To the fame red pots Shakspeare refers in Cymbeline: A mole cinque-fpotted, like the crimson drops

In the bottom of a cowslip.

Employments of the Fairies.

Puck. I am that merry wanderer of the
night.

I jeft to Oberon, and make him smile,
When I a fat and bean-fed horse beguile,
Neighing in likeness of a filly foal:
And fometime lurk I in a goffip's bowl,
In very likeness of a roasted crab ||;
And, when the drinks, against her lips I
bob,

And on her wither'd dew-lap pour the ale.
The wifeft aunt, telling the faddeft tale,
Sometime for three-foot ftool mistaketh me;
Then flip I from her bum, down topples
the,

And tailor cries, and falls into a cough; And then the whole quire hold their hips, and loffe ;

And waxen in their mirth, and neeze, and fwear

A merrier hour was never wafted there.

Shakspeare's fairies are sportive and gay; the innocent artificers of harmlefs frauds and innocent delufions. But on the fubject of these beautiful fictions, I shall be more particular in my next paper.

[To be continued.]

* It was no uncommon thing to introduce a compliment to queen Elizabeth in the body of a play.

The flower commonly called Panfy, or Heart's ease, is named Love-in-idleness in Warwickshire, and in Lyte's Herbal. One or two of its petals are of a purple colour. In other countries, it is called the Three-coloured-violet, the Herb-oftrinity, Three-faces-in-a-hood, Cuddle-me-to-you, &c.

The orbs here mentioned are the circles fuppofed to be made by the fairies on the ground, whofe verdure proceeds ficm the fairy's care to water them.

A crab apple. So again in Love's Labour's Loft:

When reafted crabs hifs in the bowl.'

The

The SENTIMENTAL RAMBLER; or SKETCHES of RURAL SCENERY on a Vernal Day.

PERI

O how canft thou renounce the boundless-store
Of charms which Nature to her vot❜ry yields!
The warbling woodlands, the resounding shore,
The pomp of groves, the garniture of fields;
All that the genial ray of morning gilds,

And all that echoes to the fong of even,
All that the mountain's fheltering bofom yields,
And all the dread magnificence of heaven,

O how canft thou renounce, and hope to be forgiven.

The Appropriation of Time. ERHAPS nothing is more common than to bewail the fhortnefs of life, unless it be to mifpend the little time we are permitted to enjoy. We complain that the evening is clofing on our unfinished labours, without remembering how much of the day has been wafted in indolence; and peevishly lament the infufficiency of our strength, without reflecting on the fatigues produced by diffipation and folly. In fhort, did we never fuffer ourselves to accufe the rapid wing of time, till we had counted the moments that have paffed unoccupied and unenjoyed, the murmur of impious difcontent would be ftifled by regret, and the voice of reproach expire in the figh of contrition.

:

Nor are indolence and diffipation the only fources of error in this particular the improvement of time has other enemies as formidable, perhaps, if it were not that they appear of a more corrigible nature. Among the foremost of these may be reckoned the injudicious manner, in which feafons and avocations are fuited to each other an improvidence fo great, that whoever fhould entirely correct himself of this inconfiftency would find room enough, in the little circle

:

BEATTIE.

of human life, for a much larger proportion of wisdom, and of pleasure, of business and of relaxation, than has, perhaps, ever yet been crowded within it fince the period of antediluvian longevity. At leaft it will not be difputed with me, that a juft appropriation of times and seasons would greatly enhance the enjoyments of life, fince every avocation may, under proper regulations become a pleasure, and the most favourite amusement, by an ill-timed recurrence, may find the ftrings out of time that should vibrate to its measures, and be consequently attended with nothing but wearifome-nefs and difguft.

It fhould feem that men of letters

are particularly negligent of this proper adaptation of time, and frequently not only shorten their lives, but even render the years they experience lefs productive than they might otherwise be, by reverfing the order of nature, and flifing the inftinctive voice or health, whofe warnings were kindly defigned for the prefervation and happine's of mankind. Neglectful of the invigorating and infpiring breath of morning, they but too frequently refer their ftudies to the protracted notturnal hour, which the most unequivocal fymptoms fhew us was designed for flumber and refreshment;

aid

They who, by attending to their own fenfations, become acquainted with the important admonitions of nature, will obferve certain feverish and unea y fymptoms,

regularly

« PředchozíPokračovat »