English Tragedy before Shakespeare (Routledge Revivals): The Development of Dramatic SpeechRoutledge, 13. 5. 2013 - Počet stran: 306 First published in English in 1961, this reissue relates the problems of form and style to the development of dramatic speech in pre-Shakespearean tragedy. The work offers positive standards by which to assess the development of pre-Shakespearean drama and, by tracing certain characteristics in Elizabethan tragedy which were to have a bearing on Shakespeare’s dramatic technique, helps to illuminate the foundations on which Shakespeare built his dramatic oeuvre. |
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Strana ii
... character. It is hoped that a study of this kind, embracing not only the relationship of the set speech to the other formal elements of drama, but also its structure and its forms of expression, will provide a new approach to the ...
... character. It is hoped that a study of this kind, embracing not only the relationship of the set speech to the other formal elements of drama, but also its structure and its forms of expression, will provide a new approach to the ...
Strana 12
... characters speak in their longer unbroken speeches. The term 'set speech' will be used for any continuous spoken passage that stands out noticeably from the general run of the dialogue by reason of its length and structure, its theme ...
... characters speak in their longer unbroken speeches. The term 'set speech' will be used for any continuous spoken passage that stands out noticeably from the general run of the dialogue by reason of its length and structure, its theme ...
Strana 13
... characters are presented and their states of mind and motives for action revealed; by their means, moreover, the dramatic import of the play is made clear, and the course of its action is unfolded. In these speeches is incorporated ...
... characters are presented and their states of mind and motives for action revealed; by their means, moreover, the dramatic import of the play is made clear, and the course of its action is unfolded. In these speeches is incorporated ...
Strana 27
... characters are brought on the stage in little groups, usually in twos and threes (in so far as it is not a matter of 'one-man episodes'), and spout diffuse and endless set speeches filled with hollow-sounding emotional commonplaces. At ...
... characters are brought on the stage in little groups, usually in twos and threes (in so far as it is not a matter of 'one-man episodes'), and spout diffuse and endless set speeches filled with hollow-sounding emotional commonplaces. At ...
Strana 28
... characters are not actually soliloquizing, he makes them on every possible occasion report their feelings and thoughts in some detail. He supplies them with confidants to whom they may open their hearts or confide their histories.1 Thus ...
... characters are not actually soliloquizing, he makes them on every possible occasion report their feelings and thoughts in some detail. He supplies them with confidants to whom they may open their hearts or confide their histories.1 Thus ...
Obsah
ii | |
PART TWO | 56 |
PART THREE | 211 |
Select Bibliography | 293 |
Index of Authors and Subjects | 295 |
Index of Plays | 299 |
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action apostrophe appear beginning characters Christopher Marlowe chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech dramatic speech earlier earth Edward effect Elizabethan drama emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate