English Tragedy before Shakespeare (Routledge Revivals): The Development of Dramatic SpeechRoutledge, 13. 5. 2013 - Počet stran: 306 First published in English in 1961, this reissue relates the problems of form and style to the development of dramatic speech in pre-Shakespearean tragedy. The work offers positive standards by which to assess the development of pre-Shakespearean drama and, by tracing certain characteristics in Elizabethan tragedy which were to have a bearing on Shakespeare’s dramatic technique, helps to illuminate the foundations on which Shakespeare built his dramatic oeuvre. |
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Strana 12
... course of development that is to be outlined in later chapters the difference between the two is obvious and unmistakable; but later the one merges into the other, and there will be occasions when it will be hard to decide whether a ...
... course of development that is to be outlined in later chapters the difference between the two is obvious and unmistakable; but later the one merges into the other, and there will be occasions when it will be hard to decide whether a ...
Strana 13
... course of its action is unfolded. In these speeches is incorporated everything that later in the realistic drama, and to some extent already in Shakespeare is expressed by a whole variety of other methods: by means of gesture and ...
... course of its action is unfolded. In these speeches is incorporated everything that later in the realistic drama, and to some extent already in Shakespeare is expressed by a whole variety of other methods: by means of gesture and ...
Strana 15
... course of this book there will be some discussion not only of the development of dramatic forms, but also of the 'mode of expression' in pre-Shakespearian drama. This term has been chosen to suggest something more than a mere formal ...
... course of this book there will be some discussion not only of the development of dramatic forms, but also of the 'mode of expression' in pre-Shakespearian drama. This term has been chosen to suggest something more than a mere formal ...
Strana 16
... course occur more frequently in the set speeches than anywhere else. For our first concern must be with the train of thought or the theme that underlies each of the various speeches under review, and the manner in which this content of ...
... course occur more frequently in the set speeches than anywhere else. For our first concern must be with the train of thought or the theme that underlies each of the various speeches under review, and the manner in which this content of ...
Strana 17
... course have to decide how far such departures are to be attributed to the playwright's own creative powers, and how far they may be due to other causes, such as, for example, the influence of other types of drama. However, no convention ...
... course have to decide how far such departures are to be attributed to the playwright's own creative powers, and how far they may be due to other causes, such as, for example, the influence of other types of drama. However, no convention ...
Obsah
ii | |
PART TWO | 56 |
PART THREE | 211 |
Select Bibliography | 293 |
Index of Authors and Subjects | 295 |
Index of Plays | 299 |
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action apostrophe appear beginning characters Christopher Marlowe chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech dramatic speech earlier earth Edward effect Elizabethan drama emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate