English Tragedy before Shakespeare (Routledge Revivals): The Development of Dramatic SpeechRoutledge, 13. 5. 2013 - Počet stran: 306 First published in English in 1961, this reissue relates the problems of form and style to the development of dramatic speech in pre-Shakespearean tragedy. The work offers positive standards by which to assess the development of pre-Shakespearean drama and, by tracing certain characteristics in Elizabethan tragedy which were to have a bearing on Shakespeare’s dramatic technique, helps to illuminate the foundations on which Shakespeare built his dramatic oeuvre. |
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Strana ii
... expression, will provide a new approach to the history of pre-Shakespearian drama, and to developments within this period of which it has so far been difficult to give a clear account. Useful as are some of the existing studies which ...
... expression, will provide a new approach to the history of pre-Shakespearian drama, and to developments within this period of which it has so far been difficult to give a clear account. Useful as are some of the existing studies which ...
Strana 14
... expression and of effect the potentialities of which were to be completely realized only after their time. Marlowe ... expression, was in a certain sense responsible for the impoverishment of the language of drama as a vehicle for ...
... expression and of effect the potentialities of which were to be completely realized only after their time. Marlowe ... expression, was in a certain sense responsible for the impoverishment of the language of drama as a vehicle for ...
Strana 15
... expression' in pre-Shakespearian drama. This term has been chosen to suggest something more than a mere formal analysis of style, something that includes also the meaning that is brought out by means of the various stylistic devices. By ...
... expression' in pre-Shakespearian drama. This term has been chosen to suggest something more than a mere formal analysis of style, something that includes also the meaning that is brought out by means of the various stylistic devices. By ...
Strana 16
... expression. The 'typical' form of language with which an utterance was invested had at one time been the expression of a distinctive way of thought, of a distinctive attitude. With the lapse of years this association ceased to exist ...
... expression. The 'typical' form of language with which an utterance was invested had at one time been the expression of a distinctive way of thought, of a distinctive attitude. With the lapse of years this association ceased to exist ...
Strana 17
... expression can develop only when he makes use of forms and conventions that have already been ac- cepted by the audience and that have in a sense come to be looked for in every new play. This is certainly the case with the set speeches ...
... expression can develop only when he makes use of forms and conventions that have already been ac- cepted by the audience and that have in a sense come to be looked for in every new play. This is certainly the case with the set speeches ...
Obsah
ii | |
PART TWO | 56 |
PART THREE | 211 |
Select Bibliography | 293 |
Index of Authors and Subjects | 295 |
Index of Plays | 299 |
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action apostrophe appear beginning characters Christopher Marlowe chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech dramatic speech earlier earth Edward effect Elizabethan drama emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate