English Tragedy before Shakespeare (Routledge Revivals): The Development of Dramatic SpeechRoutledge, 13. 5. 2013 - Počet stran: 306 First published in English in 1961, this reissue relates the problems of form and style to the development of dramatic speech in pre-Shakespearean tragedy. The work offers positive standards by which to assess the development of pre-Shakespearean drama and, by tracing certain characteristics in Elizabethan tragedy which were to have a bearing on Shakespeare’s dramatic technique, helps to illuminate the foundations on which Shakespeare built his dramatic oeuvre. |
Vyhledávání v knize
Výsledky 1-5 z 81
Strana ii
... gives us a fresh and clearer insight into their character. It is hoped that a study of this kind, embracing not only ... give a clear account. Useful as are some of the existing studies which aim at describing the nature of this body of ...
... gives us a fresh and clearer insight into their character. It is hoped that a study of this kind, embracing not only ... give a clear account. Useful as are some of the existing studies which aim at describing the nature of this body of ...
Strana 12
... give an exact definition of the set speech as such, for by simplifying the forms that it may take and reducing them to an ordered scheme, any such definition would fail to do justice to their diversity. Clearly, too, we shall fall into ...
... give an exact definition of the set speech as such, for by simplifying the forms that it may take and reducing them to an ordered scheme, any such definition would fail to do justice to their diversity. Clearly, too, we shall fall into ...
Strana 16
... give a stiff and stereotyped effect, thickly studded as they are with cliches, yet even here we find the clash between what merely conforms to type and what is due to the individual playwright's urge for expression. The 'typical' form ...
... give a stiff and stereotyped effect, thickly studded as they are with cliches, yet even here we find the clash between what merely conforms to type and what is due to the individual playwright's urge for expression. The 'typical' form ...
Strana 18
... give to the material that lay behind Shakespeare and often enough we shall be dealing with somewhat primitive material will make us more fully alive to the uniqueness of Shakespeare's own achievement; we shall appreciate more thoroughly ...
... give to the material that lay behind Shakespeare and often enough we shall be dealing with somewhat primitive material will make us more fully alive to the uniqueness of Shakespeare's own achievement; we shall appreciate more thoroughly ...
Strana 19
... give preShakespearian drama a character so essentially its own stand out most obviously in plays by the dramatists of the second and third ranks, the mere craftsmen who, having no marked talents of their own, have nevertheless applied ...
... give preShakespearian drama a character so essentially its own stand out most obviously in plays by the dramatists of the second and third ranks, the mere craftsmen who, having no marked talents of their own, have nevertheless applied ...
Obsah
ii | |
PART TWO | 56 |
PART THREE | 211 |
Select Bibliography | 293 |
Index of Authors and Subjects | 295 |
Index of Plays | 299 |
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
action apostrophe appear beginning characters Christopher Marlowe chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech dramatic speech earlier earth Edward effect Elizabethan drama emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate