English Tragedy before Shakespeare (Routledge Revivals): The Development of Dramatic SpeechRoutledge, 13. 5. 2013 - Počet stran: 306 First published in English in 1961, this reissue relates the problems of form and style to the development of dramatic speech in pre-Shakespearean tragedy. The work offers positive standards by which to assess the development of pre-Shakespearean drama and, by tracing certain characteristics in Elizabethan tragedy which were to have a bearing on Shakespeare’s dramatic technique, helps to illuminate the foundations on which Shakespeare built his dramatic oeuvre. |
Vyhledávání v knize
Výsledky 1-5 z 64
Strana ii
... kind, embracing not only the relationship of the set speech to the other formal elements of drama, but also its structure and its forms of expression, will provide a new approach to the history of pre-Shakespearian drama, and to ...
... kind, embracing not only the relationship of the set speech to the other formal elements of drama, but also its structure and its forms of expression, will provide a new approach to the history of pre-Shakespearian drama, and to ...
Strana 15
... kind of stylistic analysis, which can so easily degenerate into a more or less mechanical process of assembling and cataloguing, ought to be only one of several approaches to the texts, and we should never forget that the various ...
... kind of stylistic analysis, which can so easily degenerate into a more or less mechanical process of assembling and cataloguing, ought to be only one of several approaches to the texts, and we should never forget that the various ...
Strana 21
... kind of amalgam was made of the literary theory of Aristotle, Cicero, Horace, and Quintilian, or to consider how far the rhetorical tradition of the middle ages continued to be operative at the Renaissance, or what was associated with ...
... kind of amalgam was made of the literary theory of Aristotle, Cicero, Horace, and Quintilian, or to consider how far the rhetorical tradition of the middle ages continued to be operative at the Renaissance, or what was associated with ...
Strana 26
... kind of influence of the Italian upon the English must also be assumed.1 This relationship, which has so far been little explored, would be nothing out of the ordinary at a time when England was receiving so many different types of ...
... kind of influence of the Italian upon the English must also be assumed.1 This relationship, which has so far been little explored, would be nothing out of the ordinary at a time when England was receiving so many different types of ...
Strana 27
... kind of show-piece, and at the same time becomes the predominating medium of the drama. Indeed, all too many opportunities are taken of introducing set speeches and soliloquies. Without any regard to dramatic re- quirements or dramatic ...
... kind of show-piece, and at the same time becomes the predominating medium of the drama. Indeed, all too many opportunities are taken of introducing set speeches and soliloquies. Without any regard to dramatic re- quirements or dramatic ...
Obsah
ii | |
PART TWO | 56 |
PART THREE | 211 |
Select Bibliography | 293 |
Index of Authors and Subjects | 295 |
Index of Plays | 299 |
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
action apostrophe appear beginning characters Christopher Marlowe chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech dramatic speech earlier earth Edward effect Elizabethan drama emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate