English Tragedy before Shakespeare (Routledge Revivals): The Development of Dramatic SpeechRoutledge, 13. 5. 2013 - Počet stran: 306 First published in English in 1961, this reissue relates the problems of form and style to the development of dramatic speech in pre-Shakespearean tragedy. The work offers positive standards by which to assess the development of pre-Shakespearean drama and, by tracing certain characteristics in Elizabethan tragedy which were to have a bearing on Shakespeare’s dramatic technique, helps to illuminate the foundations on which Shakespeare built his dramatic oeuvre. |
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Strana 16
... speeches than anywhere else. For our first concern must be with the train of ... speech, an assortment of recurring ideas and themes and characteristic turns of ... long since passed into oblivion, and was certainly not present in the ...
... speeches than anywhere else. For our first concern must be with the train of ... speech, an assortment of recurring ideas and themes and characteristic turns of ... long since passed into oblivion, and was certainly not present in the ...
Strana 17
... speeches. Yet again and again, even in the pre-Shakespearian drama, we find places where the accepted patterns of speech are superseded, where the existing vehicles of language and style obviously no longer suffice for the expression of ...
... speeches. Yet again and again, even in the pre-Shakespearian drama, we find places where the accepted patterns of speech are superseded, where the existing vehicles of language and style obviously no longer suffice for the expression of ...
Strana 28
The Development of Dramatic Speech Wolfgang Clemen. set speeches filled with hollow-sounding emotional commonplaces ... long set speeches. Characters of this type are far more extensively used in sixteenth-century Italian tragedy thanwas ...
The Development of Dramatic Speech Wolfgang Clemen. set speeches filled with hollow-sounding emotional commonplaces ... long set speeches. Characters of this type are far more extensively used in sixteenth-century Italian tragedy thanwas ...
Strana 29
... speech, are kept apart as isolated units. The number of lengthy set speeches in Seneca has often been remarked on; in Cinthio, however, they have become longer still. Cinthio's most famous tragedy, the Orbecche, contains about 2700 ...
... speech, are kept apart as isolated units. The number of lengthy set speeches in Seneca has often been remarked on; in Cinthio, however, they have become longer still. Cinthio's most famous tragedy, the Orbecche, contains about 2700 ...
Strana 30
... speeches. If it is a question of offering counsel, or planning a course of action, or weighing the pros and cons of ... long as the occasion for the speech brings it into one or other of these categories. The tendency of the speeches to ...
... speeches. If it is a question of offering counsel, or planning a course of action, or weighing the pros and cons of ... long as the occasion for the speech brings it into one or other of these categories. The tendency of the speeches to ...
Obsah
ii | |
PART TWO | 56 |
PART THREE | 211 |
Select Bibliography | 293 |
Index of Authors and Subjects | 295 |
Index of Plays | 299 |
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action apostrophe appear beginning characters Christopher Marlowe chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech dramatic speech earlier earth Edward effect Elizabethan drama emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate