English Tragedy before Shakespeare (Routledge Revivals): The Development of Dramatic SpeechRoutledge, 13. 5. 2013 - Počet stran: 306 First published in English in 1961, this reissue relates the problems of form and style to the development of dramatic speech in pre-Shakespearean tragedy. The work offers positive standards by which to assess the development of pre-Shakespearean drama and, by tracing certain characteristics in Elizabethan tragedy which were to have a bearing on Shakespeare’s dramatic technique, helps to illuminate the foundations on which Shakespeare built his dramatic oeuvre. |
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Strana ii
... nature of this body of drama as a whole, they deal with it at best in general terms, and they are not of much value when we turn to them for exact information about the structure, the forms of expression, or the style of presentation of ...
... nature of this body of drama as a whole, they deal with it at best in general terms, and they are not of much value when we turn to them for exact information about the structure, the forms of expression, or the style of presentation of ...
Strana 16
... nature. This is especially true of the 'type' speeches, the basic forms of which are enumerated in Chapter 3. These are speeches that are bound up with recurrent themes and recurrent emotional situations: laments for the dead ...
... nature. This is especially true of the 'type' speeches, the basic forms of which are enumerated in Chapter 3. These are speeches that are bound up with recurrent themes and recurrent emotional situations: laments for the dead ...
Strana 23
... natural that similar tendencies should manifest themselves in the plays of the period.2 Thus the practical exploitation of the arts of language which it was the object of the favourite handbook of rhetoric of the time, Sir Thomas ...
... natural that similar tendencies should manifest themselves in the plays of the period.2 Thus the practical exploitation of the arts of language which it was the object of the favourite handbook of rhetoric of the time, Sir Thomas ...
Strana 35
... nature of the various parts'.4 Aristotle's conception of an 'enriched language' thus provided some sanction for the rhetorical adornment of the tragic style, and it was this aspect of tragedy that was especially cultivated. But ...
... nature of the various parts'.4 Aristotle's conception of an 'enriched language' thus provided some sanction for the rhetorical adornment of the tragic style, and it was this aspect of tragedy that was especially cultivated. But ...
Strana 36
... nature. It is the ground-plan for a tragedy having for its plot the story of Ceyx and Alcyone as Ovid relates it (Metam., XI). What is so significant is the closeness with which this 'ideal' pattern corresponds to the structure of ...
... nature. It is the ground-plan for a tragedy having for its plot the story of Ceyx and Alcyone as Ovid relates it (Metam., XI). What is so significant is the closeness with which this 'ideal' pattern corresponds to the structure of ...
Obsah
ii | |
PART TWO | 56 |
PART THREE | 211 |
Select Bibliography | 293 |
Index of Authors and Subjects | 295 |
Index of Plays | 299 |
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action apostrophe appear beginning characters Christopher Marlowe chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech dramatic speech earlier earth Edward effect Elizabethan drama emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate