English Tragedy before Shakespeare (Routledge Revivals): The Development of Dramatic SpeechRoutledge, 13. 5. 2013 - Počet stran: 306 First published in English in 1961, this reissue relates the problems of form and style to the development of dramatic speech in pre-Shakespearean tragedy. The work offers positive standards by which to assess the development of pre-Shakespearean drama and, by tracing certain characteristics in Elizabethan tragedy which were to have a bearing on Shakespeare’s dramatic technique, helps to illuminate the foundations on which Shakespeare built his dramatic oeuvre. |
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Strana 12
... passage that stands out noticeably from the general run of the dialogue by reason of its length and structure, its ... passages, moreover, some readers will perhaps regret that what is said about the style of the set speeches could not ...
... passage that stands out noticeably from the general run of the dialogue by reason of its length and structure, its ... passages, moreover, some readers will perhaps regret that what is said about the style of the set speeches could not ...
Strana 15
... their effect from their relationship with the meaning that is expressed in any particular passage. The reader's attention. 1 See, e.g., Sister Miriam Joseph, Shakespeare's Use of the Arts of Language, New York, 1947. 15 INTRODUCTION.
... their effect from their relationship with the meaning that is expressed in any particular passage. The reader's attention. 1 See, e.g., Sister Miriam Joseph, Shakespeare's Use of the Arts of Language, New York, 1947. 15 INTRODUCTION.
Strana 16
The Development of Dramatic Speech Wolfgang Clemen. ing that is expressed in any particular passage. The reader's ... passages give a stiff and stereotyped effect, thickly studded as they are with cliches, yet even here we find the ...
The Development of Dramatic Speech Wolfgang Clemen. ing that is expressed in any particular passage. The reader's ... passages give a stiff and stereotyped effect, thickly studded as they are with cliches, yet even here we find the ...
Strana 20
... passages exemplifying one and the same type of speech; in this way an attempt is made to cut a cross-section through the development of style and modes of expression as it applies to a single motif, that of lament. It is hoped, finally ...
... passages exemplifying one and the same type of speech; in this way an attempt is made to cut a cross-section through the development of style and modes of expression as it applies to a single motif, that of lament. It is hoped, finally ...
Strana 27
... passages places sequences of rapid dialogue side by side with the more elaborate speeches; but even here what he is giving us is not dialogue in the true sense, but a clumsy imitation of stichomythia which in fact is merely a con ...
... passages places sequences of rapid dialogue side by side with the more elaborate speeches; but even here what he is giving us is not dialogue in the true sense, but a clumsy imitation of stichomythia which in fact is merely a con ...
Obsah
ii | |
PART TWO | 56 |
PART THREE | 211 |
Select Bibliography | 293 |
Index of Authors and Subjects | 295 |
Index of Plays | 299 |
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action apostrophe appear beginning characters Christopher Marlowe chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech dramatic speech earlier earth Edward effect Elizabethan drama emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate