English Tragedy before Shakespeare (Routledge Revivals): The Development of Dramatic SpeechRoutledge, 13. 5. 2013 - Počet stran: 306 First published in English in 1961, this reissue relates the problems of form and style to the development of dramatic speech in pre-Shakespearean tragedy. The work offers positive standards by which to assess the development of pre-Shakespearean drama and, by tracing certain characteristics in Elizabethan tragedy which were to have a bearing on Shakespeare’s dramatic technique, helps to illuminate the foundations on which Shakespeare built his dramatic oeuvre. |
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Strana 13
... ability we find in Shakespeare, but we should not find it had not the playwrights who preceded him already contributed to dramatic verse that wealth. 1 Cf. Milton Boone Kennedy, The Oration in Shakespeare, Chapel Hill, 1942. I3 ...
... ability we find in Shakespeare, but we should not find it had not the playwrights who preceded him already contributed to dramatic verse that wealth. 1 Cf. Milton Boone Kennedy, The Oration in Shakespeare, Chapel Hill, 1942. I3 ...
Strana 16
... playwrights. For though pre-Shakespearian drama may at first sight appear to be dominated by convention, though innumerable passages give a stiff and stereotyped effect, thickly studded as they are with cliches, yet even here we find ...
... playwrights. For though pre-Shakespearian drama may at first sight appear to be dominated by convention, though innumerable passages give a stiff and stereotyped effect, thickly studded as they are with cliches, yet even here we find ...
Strana 17
... playwrights. For what we have in Elizabethan drama is always a product of the reciprocal influence of the audience and the playwright on each other. The author's own individual urge for expression can develop only when he makes use of ...
... playwrights. For what we have in Elizabethan drama is always a product of the reciprocal influence of the audience and the playwright on each other. The author's own individual urge for expression can develop only when he makes use of ...
Strana 19
... playwrights of the age had to contend. Our study of the plays opens with Gorboduc and carries through to Shakespeare's immediate predecessors and early contemporaries, Marlowe, Peele, and Greene. Thus it deals at first with the set ...
... playwrights of the age had to contend. Our study of the plays opens with Gorboduc and carries through to Shakespeare's immediate predecessors and early contemporaries, Marlowe, Peele, and Greene. Thus it deals at first with the set ...
Strana 20
... playwrights. In the third section the stress falls on the comparative analysis of passages exemplifying one and the same type of speech; in this way an attempt is made to cut a cross-section through the development of style and modes of ...
... playwrights. In the third section the stress falls on the comparative analysis of passages exemplifying one and the same type of speech; in this way an attempt is made to cut a cross-section through the development of style and modes of ...
Obsah
ii | |
PART TWO | 56 |
PART THREE | 211 |
Select Bibliography | 293 |
Index of Authors and Subjects | 295 |
Index of Plays | 299 |
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action apostrophe appear beginning characters Christopher Marlowe chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech dramatic speech earlier earth Edward effect Elizabethan drama emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate