English Tragedy before Shakespeare (Routledge Revivals): The Development of Dramatic SpeechRoutledge, 13. 5. 2013 - Počet stran: 306 First published in English in 1961, this reissue relates the problems of form and style to the development of dramatic speech in pre-Shakespearean tragedy. The work offers positive standards by which to assess the development of pre-Shakespearean drama and, by tracing certain characteristics in Elizabethan tragedy which were to have a bearing on Shakespeare’s dramatic technique, helps to illuminate the foundations on which Shakespeare built his dramatic oeuvre. |
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Strana 14
... show what light these speeches shed on the total dramatic content, how far they serve the dramatist as a means of instructing his audience, and what part they play in the revelation of character. However, our first concern must be with ...
... show what light these speeches shed on the total dramatic content, how far they serve the dramatist as a means of instructing his audience, and what part they play in the revelation of character. However, our first concern must be with ...
Strana 21
... show how a kind of amalgam was made of the literary theory of Aristotle, Cicero, Horace, and Quintilian, or to consider how far the rhetorical tradition of the middle ages continued to be operative at the Renaissance, or what was ...
... show how a kind of amalgam was made of the literary theory of Aristotle, Cicero, Horace, and Quintilian, or to consider how far the rhetorical tradition of the middle ages continued to be operative at the Renaissance, or what was ...
Strana 26
... shows how extremely difficult it was to get out of the rut of a dramatic technique which was firmly based on exposition, retrospective narration, and the analysis of emotion. There are so many parallels and similarities between this ...
... shows how extremely difficult it was to get out of the rut of a dramatic technique which was firmly based on exposition, retrospective narration, and the analysis of emotion. There are so many parallels and similarities between this ...
Strana 27
... show-piece, and at the same time becomes the predominating medium of the drama. Indeed, all too many opportunities are taken of introducing set speeches and soliloquies. Without any regard to dramatic re- quirements or dramatic ...
... show-piece, and at the same time becomes the predominating medium of the drama. Indeed, all too many opportunities are taken of introducing set speeches and soliloquies. Without any regard to dramatic re- quirements or dramatic ...
Strana 28
... shows any signs of beginning. The second act of his Arrenopia opens with three soliloquies in a row, each of them marked as a separate scene, and it is only in the fourth scene that we are given a duologue, followed in the fifth scene ...
... shows any signs of beginning. The second act of his Arrenopia opens with three soliloquies in a row, each of them marked as a separate scene, and it is only in the fourth scene that we are given a duologue, followed in the fifth scene ...
Obsah
ii | |
PART TWO | 56 |
PART THREE | 211 |
Select Bibliography | 293 |
Index of Authors and Subjects | 295 |
Index of Plays | 299 |
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action apostrophe appear beginning characters Christopher Marlowe chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech dramatic speech earlier earth Edward effect Elizabethan drama emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate