English Tragedy before Shakespeare (Routledge Revivals): The Development of Dramatic SpeechRoutledge, 13. 5. 2013 - Počet stran: 306 First published in English in 1961, this reissue relates the problems of form and style to the development of dramatic speech in pre-Shakespearean tragedy. The work offers positive standards by which to assess the development of pre-Shakespearean drama and, by tracing certain characteristics in Elizabethan tragedy which were to have a bearing on Shakespeare’s dramatic technique, helps to illuminate the foundations on which Shakespeare built his dramatic oeuvre. |
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Strana
... stages of the work of translating this book has made helpful suggestions, especially with regard to the treatment of technical terms. I also owe a debt of gratitude to my colleague Miss Mary Beare, of Westfield College, for the great ...
... stages of the work of translating this book has made helpful suggestions, especially with regard to the treatment of technical terms. I also owe a debt of gratitude to my colleague Miss Mary Beare, of Westfield College, for the great ...
Strana 12
... stages of the course of development that is to be outlined in later chapters the difference between the two is obvious and unmistakable; but later the one merges into the other, and there will be occasions when it will be hard to decide ...
... stages of the course of development that is to be outlined in later chapters the difference between the two is obvious and unmistakable; but later the one merges into the other, and there will be occasions when it will be hard to decide ...
Strana 13
... stage, by means of eloquent silences, of misunderstanding, and of inarticulate utterance, by means of a significant reaction on the part of one of the characters in a particular situation, and by means of directly presented action and ...
... stage, by means of eloquent silences, of misunderstanding, and of inarticulate utterance, by means of a significant reaction on the part of one of the characters in a particular situation, and by means of directly presented action and ...
Strana 15
... stages of development. In this sense the history of dramatic form is not a matter of externals, but rather the crystallization of the active processes of change that are taking place, not only within individual plays, but in the whole ...
... stages of development. In this sense the history of dramatic form is not a matter of externals, but rather the crystallization of the active processes of change that are taking place, not only within individual plays, but in the whole ...
Strana 18
... stage of his work we can watch new forms growing out of old, and from the mixture of types and conventions that he took over from his predecessors and their reciprocal influence on one another he fashions something entirely new and ...
... stage of his work we can watch new forms growing out of old, and from the mixture of types and conventions that he took over from his predecessors and their reciprocal influence on one another he fashions something entirely new and ...
Obsah
ii | |
PART TWO | 56 |
PART THREE | 211 |
Select Bibliography | 293 |
Index of Authors and Subjects | 295 |
Index of Plays | 299 |
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action apostrophe appear beginning characters Christopher Marlowe chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech dramatic speech earlier earth Edward effect Elizabethan drama emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate