English Tragedy before Shakespeare (Routledge Revivals): The Development of Dramatic SpeechRoutledge, 13. 5. 2013 - Počet stran: 306 First published in English in 1961, this reissue relates the problems of form and style to the development of dramatic speech in pre-Shakespearean tragedy. The work offers positive standards by which to assess the development of pre-Shakespearean drama and, by tracing certain characteristics in Elizabethan tragedy which were to have a bearing on Shakespeare’s dramatic technique, helps to illuminate the foundations on which Shakespeare built his dramatic oeuvre. |
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Strana ii
... structure of Elizabethan tragedy will have to be detached from its setting in the plays and analysed in some detail. It will be found, however, that what may at first sight have seemed a re- stricted and one-sided critical procedure ...
... structure of Elizabethan tragedy will have to be detached from its setting in the plays and analysed in some detail. It will be found, however, that what may at first sight have seemed a re- stricted and one-sided critical procedure ...
Strana 12
... structure, its theme, or its significance. No attempt will be made to give an exact definition of the set speech as such, for by simplifying the forms that it may take and reducing them to an ordered scheme, any such definition would ...
... structure, its theme, or its significance. No attempt will be made to give an exact definition of the set speech as such, for by simplifying the forms that it may take and reducing them to an ordered scheme, any such definition would ...
Strana 14
... structure, the style, and the movement of thought of the set speeches, but also with their function in the larger context of the whole play, with the way in which they are fitted into the framework of act and scene. An attempt will also ...
... structure, the style, and the movement of thought of the set speeches, but also with their function in the larger context of the whole play, with the way in which they are fitted into the framework of act and scene. An attempt will also ...
Strana 15
... structure of the play. Inwatching these things happen we can participate in that internal process of growth which is constantly modifying dramatic forms and carrying them to higher stages of development. In this sense the history of ...
... structure of the play. Inwatching these things happen we can participate in that internal process of growth which is constantly modifying dramatic forms and carrying them to higher stages of development. In this sense the history of ...
Strana 22
... structural devices, and of various types of style; in its actual operation it goes beyond its true province, and it became an all-important factor in the conception of poetry. The point was reached where all the poetic kinds were ...
... structural devices, and of various types of style; in its actual operation it goes beyond its true province, and it became an all-important factor in the conception of poetry. The point was reached where all the poetic kinds were ...
Obsah
ii | |
PART TWO | 56 |
PART THREE | 211 |
Select Bibliography | 293 |
Index of Authors and Subjects | 295 |
Index of Plays | 299 |
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action apostrophe appear beginning characters Christopher Marlowe chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech dramatic speech earlier earth Edward effect Elizabethan drama emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate