English Tragedy before Shakespeare (Routledge Revivals): The Development of Dramatic SpeechRoutledge, 13. 5. 2013 - Počet stran: 306 First published in English in 1961, this reissue relates the problems of form and style to the development of dramatic speech in pre-Shakespearean tragedy. The work offers positive standards by which to assess the development of pre-Shakespearean drama and, by tracing certain characteristics in Elizabethan tragedy which were to have a bearing on Shakespeare’s dramatic technique, helps to illuminate the foundations on which Shakespeare built his dramatic oeuvre. |
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Strana 12
... theme, or its significance. No attempt will be made to give an exact definition of the set speech as such, for by simplifying the forms that it may take and reducing them to an ordered scheme, any such definition would fail to do ...
... theme, or its significance. No attempt will be made to give an exact definition of the set speech as such, for by simplifying the forms that it may take and reducing them to an ordered scheme, any such definition would fail to do ...
Strana 14
... theme is presented and developed. This study will therefore deal not only with the structure, the style, and the movement of thought of the set speeches, but also with their function in the larger context of the whole play, with the way ...
... theme is presented and developed. This study will therefore deal not only with the structure, the style, and the movement of thought of the set speeches, but also with their function in the larger context of the whole play, with the way ...
Strana 16
... theme that underlies each of the various speeches under review, and the manner in which this content of thought is expressed. It will be seen that the subject-matter and the themes that make up the content of these speeches are very ...
... theme that underlies each of the various speeches under review, and the manner in which this content of thought is expressed. It will be seen that the subject-matter and the themes that make up the content of these speeches are very ...
Strana 18
... Themes and Conventions ofElizabethan Tragedy,Cambridge, 1935; L. L. Schücking, Shakespeare und der Tragödienstil seiner Zeit, Berne, 1947. 2 Cf., among others, L. L. Schücking, Character Problems in Shakespeare's Plays, London, 1922 ...
... Themes and Conventions ofElizabethan Tragedy,Cambridge, 1935; L. L. Schücking, Shakespeare und der Tragödienstil seiner Zeit, Berne, 1947. 2 Cf., among others, L. L. Schücking, Character Problems in Shakespeare's Plays, London, 1922 ...
Strana 26
... themes and subject-matter. The characteristic handling of the set speech by the Italian dramatists throws some light on its development in England. Already in Trissino, who quite deliberately took Euripides and not Seneca as his model,2 ...
... themes and subject-matter. The characteristic handling of the set speech by the Italian dramatists throws some light on its development in England. Already in Trissino, who quite deliberately took Euripides and not Seneca as his model,2 ...
Obsah
ii | |
PART TWO | 56 |
PART THREE | 211 |
Select Bibliography | 293 |
Index of Authors and Subjects | 295 |
Index of Plays | 299 |
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action apostrophe appear beginning characters Christopher Marlowe chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech dramatic speech earlier earth Edward effect Elizabethan drama emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate