English Tragedy before Shakespeare (Routledge Revivals): The Development of Dramatic SpeechRoutledge, 13. 5. 2013 - Počet stran: 306 First published in English in 1961, this reissue relates the problems of form and style to the development of dramatic speech in pre-Shakespearean tragedy. The work offers positive standards by which to assess the development of pre-Shakespearean drama and, by tracing certain characteristics in Elizabethan tragedy which were to have a bearing on Shakespeare’s dramatic technique, helps to illuminate the foundations on which Shakespeare built his dramatic oeuvre. |
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Strana 13
... utterance, by means of a significant reaction on the part of one of the characters in a particular situation, and by means of directly presented action and counteraction. In the rhetorical drama and pre-Shakespearian drama is to a very ...
... utterance, by means of a significant reaction on the part of one of the characters in a particular situation, and by means of directly presented action and counteraction. In the rhetorical drama and pre-Shakespearian drama is to a very ...
Strana 16
... utterance was invested had at one time been the expression of a distinctive way of thought, of a distinctive attitude. With the lapse of years this association ceased to exist, and a particular form of utterance could be passed on from ...
... utterance was invested had at one time been the expression of a distinctive way of thought, of a distinctive attitude. With the lapse of years this association ceased to exist, and a particular form of utterance could be passed on from ...
Strana 17
... utterance by their associations. However, in the course of time any form of overstatement and exaggeration becomes wearisome, even in a period so enthusiastically attached to every form of exuberance, of heightened effect and ...
... utterance by their associations. However, in the course of time any form of overstatement and exaggeration becomes wearisome, even in a period so enthusiastically attached to every form of exuberance, of heightened effect and ...
Strana 29
... utterance make its appearance until rather later in the century. A further characteristic shared by the English and the Italian dramatists is the markedly moral and didactic undertone in the set speeches, their tendency to think of the ...
... utterance make its appearance until rather later in the century. A further characteristic shared by the English and the Italian dramatists is the markedly moral and didactic undertone in the set speeches, their tendency to think of the ...
Strana 37
... utterance and certain conventional stylistic usages.2 And when in the course of the play a particular emotion was represented in a set speech, the person actually concerned was left in the background, for it was merely the type of the ...
... utterance and certain conventional stylistic usages.2 And when in the course of the play a particular emotion was represented in a set speech, the person actually concerned was left in the background, for it was merely the type of the ...
Obsah
ii | |
PART TWO | 56 |
PART THREE | 211 |
Select Bibliography | 293 |
Index of Authors and Subjects | 295 |
Index of Plays | 299 |
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action apostrophe appear beginning characters Christopher Marlowe chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech dramatic speech earlier earth Edward effect Elizabethan drama emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate