English Tragedy before Shakespeare (Routledge Revivals): The Development of Dramatic SpeechRoutledge, 13. 5. 2013 - Počet stran: 306 First published in English in 1961, this reissue relates the problems of form and style to the development of dramatic speech in pre-Shakespearean tragedy. The work offers positive standards by which to assess the development of pre-Shakespearean drama and, by tracing certain characteristics in Elizabethan tragedy which were to have a bearing on Shakespeare’s dramatic technique, helps to illuminate the foundations on which Shakespeare built his dramatic oeuvre. |
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Strana ii
... words, about the various individual points that determine both its shape and the character of its dramatic art. It has therefore been thought best to limit this inquiry and confine our attention in the first instance to one of the more ...
... words, about the various individual points that determine both its shape and the character of its dramatic art. It has therefore been thought best to limit this inquiry and confine our attention in the first instance to one of the more ...
Strana 12
... words which the characters speak in their longer unbroken speeches. The term 'set speech' will be used for any continuous spoken passage that stands out noticeably from the general run of the dialogue by reason of its length and ...
... words which the characters speak in their longer unbroken speeches. The term 'set speech' will be used for any continuous spoken passage that stands out noticeably from the general run of the dialogue by reason of its length and ...
Strana 13
... words, into high-sounding speech. The characters in these plays must represent with their tongues alone everything that later on is conveyed to the audience in the various other ways already mentioned - though of course it has at all ...
... words, into high-sounding speech. The characters in these plays must represent with their tongues alone everything that later on is conveyed to the audience in the various other ways already mentioned - though of course it has at all ...
Strana 14
... words are only a partial means of self-expression, was in a certain sense responsible for the impoverishment of the language of drama as a vehicle for expression, and for the decay of the art that had allowed, and indeed demanded, the ...
... words are only a partial means of self-expression, was in a certain sense responsible for the impoverishment of the language of drama as a vehicle for expression, and for the decay of the art that had allowed, and indeed demanded, the ...
Strana 15
... words. Moreover, the 'devices' of style, especially those that turn up again and again as established stylistic artifices and 'figures', are very often removed from their context and considered as something existing in their own right ...
... words. Moreover, the 'devices' of style, especially those that turn up again and again as established stylistic artifices and 'figures', are very often removed from their context and considered as something existing in their own right ...
Obsah
ii | |
PART TWO | 56 |
PART THREE | 211 |
Select Bibliography | 293 |
Index of Authors and Subjects | 295 |
Index of Plays | 299 |
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action apostrophe appear beginning characters Christopher Marlowe chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech dramatic speech earlier earth Edward effect Elizabethan drama emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate