King LearInsight Publications, 2011 - Počet stran: 224 Even the most resolutely disengaged students can finally 'discover' and thrill to the rhythms and passions of Shakespeare's plays! Award-winning teachers and Shakespearean scholars have extensively trialled their approach to teaching Shakespeare's plays in the classroom, and this series is the result! The plays in this series are becoming increasingly popular for student resources in schools as English and Drama teachers discover their fabulous teaching and learning qualities. |
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Výsledky 1-5 z 89
Strana iii
... Kent in the stocks 72 Scene 3 Edgar becomes Tom o' Bedlam 83 Scene 4 Unwelcome Lear exits 86 Act 3 101 Scene 1 Gentleman in the storm 101 Scene 2 'Blow, winds, and crack your cheeks!' 105 Scene 3 Gloucester tells Edmund a secret 112 ...
... Kent in the stocks 72 Scene 3 Edgar becomes Tom o' Bedlam 83 Scene 4 Unwelcome Lear exits 86 Act 3 101 Scene 1 Gentleman in the storm 101 Scene 2 'Blow, winds, and crack your cheeks!' 105 Scene 3 Gloucester tells Edmund a secret 112 ...
Strana 12
... ( Act 5 Scene 3 ) . The speech includes a line of trochaic pentameter ( the capitalised letters indicate the stressed beats in the following passage ) : KENT EDGAR Why SHOULD a DOG, a HORSE, a RAT,. 12 Insight Shakespeare Plays.
... ( Act 5 Scene 3 ) . The speech includes a line of trochaic pentameter ( the capitalised letters indicate the stressed beats in the following passage ) : KENT EDGAR Why SHOULD a DOG, a HORSE, a RAT,. 12 Insight Shakespeare Plays.
Strana 13
Aidan Coleman, Stephen McInerney, William Shakespeare. KENT EDGAR Why SHOULD a DOG, a HORSE, a RAT, have LIFE, (iambic) And THOU no BREATH at ALL? Thou'lt COME no MORE; (iambic) NEVer, NEVer, NEVer, NEVer, NEVer. (trochaic) (Act 5 Scene ...
Aidan Coleman, Stephen McInerney, William Shakespeare. KENT EDGAR Why SHOULD a DOG, a HORSE, a RAT, have LIFE, (iambic) And THOU no BREATH at ALL? Thou'lt COME no MORE; (iambic) NEVer, NEVer, NEVer, NEVer, NEVer. (trochaic) (Act 5 Scene ...
Strana 15
... Kent about Edmund's origins is followed by Lear's dramatic opening speech in verse. Another example, also from Act 1 Scene 1, is the shift to prose after the love-test has ended and Cordelia has departed. The last words in verse, spoken ...
... Kent about Edmund's origins is followed by Lear's dramatic opening speech in verse. Another example, also from Act 1 Scene 1, is the shift to prose after the love-test has ended and Cordelia has departed. The last words in verse, spoken ...
Strana 18
... KENT / CAIUS THE FOOL Also appearing : Curan ( a courtier ) , Old Man ( Gloucester's tenant ) , Captain , Herald , various gentlemen , servants , attendants , Knights and Soldiers Act summaries for King Lear Act 1 Act 2 Act. 18 Insight ...
... KENT / CAIUS THE FOOL Also appearing : Curan ( a courtier ) , Old Man ( Gloucester's tenant ) , Captain , Herald , various gentlemen , servants , attendants , Knights and Soldiers Act summaries for King Lear Act 1 Act 2 Act. 18 Insight ...
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Act 1 Scene Alack ALBANY audience Bedlam beggars blinding Burgundy characters Child Rowland complete the table contrast Copy and complete CORDELIA KING LEAR CORNWALL daughters death dost dramatic irony Duke Duke of Cornwall Earl of Gloucester EDGAR GLOUCESTER EDGAR emphasise enters Exit eyes father FOOL KING LEAR Fortune France GENTLEMAN give GLOUCESTER EDGAR GLOUCESTER Gloucester's gods Gonerill and Regan Gonerill's hast hath hear heart iambic pentameter iambs imagery Jacobean James justice KENT KING LEAR Kent’s KING LEAR FOOL KING LEAR KENT kingdom Kingdom of Britain knave language Lear and Cordelia Lear's letter lines look Lord Lord Chamberlain's Men Madam means messenger nature night Nuncle Nunn nutshell OSWALD KENT paraphrase might read pathetic fallacy Peter Brook play play’s poor Prithee Questions REGAN GONERILL servant sister soliloquy speak speech storm tell Text notes thee thine Trevor Nunn trochee villain words