Theatre and Disorder in Late Georgian LondonClarendon Press, 1992 - Počet stran: 291 In September of 1809 during the opening night of Macbeth at the newly rebuilt Covent Garden theatre the audience rioted over the rise in ticket prices. Disturbances took place on the following sixty-six nights that autumn and the Old Price riots became the longest running theatre disorder in English history. This book describes the events in detail, sets them in their wider context, and uses them to examine the interpenetration of theatre and disorder. Previous understandings of the riots are substantially revised by stressing populist rather than class politics. Baer concentrates on the theatricality of audiences, the role of the stage in shaping English self-image and the relationship between contention and consensus. In so doing, theatre and theatricality are rediscovered as explanations for the cultural and political structures of the Georgian period. Based on meticulous research in theatre and governmental records, newspapers, private correspondence, and satirical prints and other ephemera, this study is an unusually interesting and original contribution to the social and political history of early 19th-century Britain. |
Vyhledávání v knize
Výsledky 1-3 z 88
Strana 130
... class leadership of the working class . 63 From what can be gleaned from the story of the OP riots , much of this argument is perfectly true — especially regarding the issues of respectability and leadership . But there are problems ...
... class leadership of the working class . 63 From what can be gleaned from the story of the OP riots , much of this argument is perfectly true — especially regarding the issues of respectability and leadership . But there are problems ...
Strana 155
... class holiday . ” 1 Six- day weeks , with twelve hours of labour per day were normal for most London trades , thus Saturday existed as the only evening workers could stay out late.72 1809 stands between the pre - modern labourer's world ...
... class holiday . ” 1 Six- day weeks , with twelve hours of labour per day were normal for most London trades , thus Saturday existed as the only evening workers could stay out late.72 1809 stands between the pre - modern labourer's world ...
Strana 176
... class audiences resented middle - class presence in what were now defined as plebeian arenas , such as late nineteenth - century penny gaffs.47 More important , when the working classes left the patent theatres the audience dynamics ...
... class audiences resented middle - class presence in what were now defined as plebeian arenas , such as late nineteenth - century penny gaffs.47 More important , when the working classes left the patent theatres the audience dynamics ...
Obsah
Map of Londons West End c 1809 | 1 |
PERSPECTIVES | 7 |
The Great OP War | 18 |
Autorská práva | |
Další části 10 nejsou zobrazeny.
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actors affair appeared arrested audience behaviour Boaden Bow Street Brandon Brewer Britain British broadsides Caricature Caroline Affair Catalani Cobbett Committee contemporary Courier Covent Garden Theatre Crowds and History Dickens disorder disturbances Drama Drury Lane E. P. Thompson early nineteenth century Eighteenth Century England English Nationalism English Working Class evidence Francis Place gallery George Cruikshank Hazlitt Henry Clifford House ideology James John Bull John Philip Kemble Journal Kemble Kemble's late Georgian London Corresponding Society London Theatre Lord Chamberlain managers melodrama Memoirs moral economy Morning Chronicle Morning Post newspapers night November October Old Prices OP riots Oxford patent theatres patricians performance placard Plate play playhouse plebeian Political Review Popular Culture Powell prints private boxes rioters ritual Scott Sept Shakespeare Shakespearean Constitutions social Society song stage Statesman Tegg theatre riots theatrical Thomas Thompson traditional Victorian vols Westminster radicals Whig William York
Odkazy na tuto knihu
The Shock of the Real: Romanticism and Visual Culture, 1760-1860 Gillen D'Arcy Wood Náhled není k dispozici. - 2001 |