Theatre and Disorder in Late Georgian LondonClarendon Press, 1992 - Počet stran: 291 In September of 1809 during the opening night of Macbeth at the newly rebuilt Covent Garden theatre the audience rioted over the rise in ticket prices. Disturbances took place on the following sixty-six nights that autumn and the Old Price riots became the longest running theatre disorder in English history. This book describes the events in detail, sets them in their wider context, and uses them to examine the interpenetration of theatre and disorder. Previous understandings of the riots are substantially revised by stressing populist rather than class politics. Baer concentrates on the theatricality of audiences, the role of the stage in shaping English self-image and the relationship between contention and consensus. In so doing, theatre and theatricality are rediscovered as explanations for the cultural and political structures of the Georgian period. Based on meticulous research in theatre and governmental records, newspapers, private correspondence, and satirical prints and other ephemera, this study is an unusually interesting and original contribution to the social and political history of early 19th-century Britain. |
Vyhledávání v knize
Výsledky 1-3 z 91
Strana 53
... Georgian patent houses . This argument helps explain why most riots occurred in the pit of the traditional English theatre . And in so far as the stalls provided more comfort and opportunity for display , which is what the Covent Garden ...
... Georgian patent houses . This argument helps explain why most riots occurred in the pit of the traditional English theatre . And in so far as the stalls provided more comfort and opportunity for display , which is what the Covent Garden ...
Strana 254
... Georgian Political Print and Democratic Institutions ' , Comparative Studies in Society and History , 19 ( Apr. 1977 ) , 218 ; George , English Political Caricature , i . 3 ; Vicinus , Industrial Muse , 13 , 15 . 5 See e.g. O - Poeiad ...
... Georgian Political Print and Democratic Institutions ' , Comparative Studies in Society and History , 19 ( Apr. 1977 ) , 218 ; George , English Political Caricature , i . 3 ; Vicinus , Industrial Muse , 13 , 15 . 5 See e.g. O - Poeiad ...
Strana 261
... Georgian society which has been the focus of this book . Killing No Murder , which was the title of a play and of a caricature on the Canning- Castlereagh duel , was one of many prints which alluded to the stage . George Colman the ...
... Georgian society which has been the focus of this book . Killing No Murder , which was the title of a play and of a caricature on the Canning- Castlereagh duel , was one of many prints which alluded to the stage . George Colman the ...
Obsah
Map of Londons West End c 1809 | 1 |
PERSPECTIVES | 7 |
The Great OP War | 18 |
Autorská práva | |
Další části 10 nejsou zobrazeny.
Běžně se vyskytující výrazy a sousloví
actors affair appeared argued arrested audience authorities behaviour boxes Britain British cause changes chapter Charles Chronicle Class Clifford Collection Committee connected constitution contemporary Covent Garden critical crowd Cruikshank culture December disorder disturbances Drama early early nineteenth century economy Eighteenth Century England English evidence Examiner example expressed Francis French gallery George George Cruikshank Georgian Henry History House important included individuals James John Journal Kemble Kemble's late later letter London Lord managers means moral Morning newspapers night nineteenth century November October Oxford performance perhaps persons Place Plate play plebeian political popular Post present prints private boxes radical reflected Report response Review rioters riots ritual Scott seats Sept social Society stage Street Studies suggested theatre theatrical Thomas thought traditional Victorian vols Westminster York
Odkazy na tuto knihu
The Shock of the Real: Romanticism and Visual Culture, 1760-1860 Gillen D'Arcy Wood Náhled není k dispozici. - 2001 |