Theatre and Disorder in Late Georgian LondonClarendon Press, 1992 - Počet stran: 291 In September of 1809 during the opening night of Macbeth at the newly rebuilt Covent Garden theatre the audience rioted over the rise in ticket prices. Disturbances took place on the following sixty-six nights that autumn and the Old Price riots became the longest running theatre disorder in English history. This book describes the events in detail, sets them in their wider context, and uses them to examine the interpenetration of theatre and disorder. Previous understandings of the riots are substantially revised by stressing populist rather than class politics. Baer concentrates on the theatricality of audiences, the role of the stage in shaping English self-image and the relationship between contention and consensus. In so doing, theatre and theatricality are rediscovered as explanations for the cultural and political structures of the Georgian period. Based on meticulous research in theatre and governmental records, newspapers, private correspondence, and satirical prints and other ephemera, this study is an unusually interesting and original contribution to the social and political history of early 19th-century Britain. |
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Strana 202
... character of the inhabitants of England . One newspaper went so far as to say , just after the end of the Covent Garden disorder , that ' perhaps in no instance has the true English character been more fully displayed ' than during the ...
... character of the inhabitants of England . One newspaper went so far as to say , just after the end of the Covent Garden disorder , that ' perhaps in no instance has the true English character been more fully displayed ' than during the ...
Strana 253
... character , the Hon . John Yates , ' a love of the theatre is so general , an itch for acting so strong among young people that he could hardly out - talk the interest of his hearers . ' Then there is Henry Crawford : " " I really ...
... character , the Hon . John Yates , ' a love of the theatre is so general , an itch for acting so strong among young people that he could hardly out - talk the interest of his hearers . ' Then there is Henry Crawford : " " I really ...
Strana 285
... character , see national identity English Opera House 47 , 59 , 213 Este , Revd Charles 112 , 122 , 147 n . Evangelicalism 195 , 200 Evans , W. , publisher 258 Examiner 46 , 108 , 109 , 110 , 111 , 123 Examiner of Plays 104 Exton , John ...
... character , see national identity English Opera House 47 , 59 , 213 Este , Revd Charles 112 , 122 , 147 n . Evangelicalism 195 , 200 Evans , W. , publisher 258 Examiner 46 , 108 , 109 , 110 , 111 , 123 Examiner of Plays 104 Exton , John ...
Obsah
Map of Londons West End c 1809 | 1 |
PERSPECTIVES | 7 |
The Great OP War | 18 |
Autorská práva | |
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Odkazy na tuto knihu
The Shock of the Real: Romanticism and Visual Culture, 1760-1860 Gillen D'Arcy Wood Náhled není k dispozici. - 2001 |