Theatre and Disorder in Late Georgian LondonClarendon Press, 1992 - Počet stran: 291 In September of 1809 during the opening night of Macbeth at the newly rebuilt Covent Garden theatre the audience rioted over the rise in ticket prices. Disturbances took place on the following sixty-six nights that autumn and the Old Price riots became the longest running theatre disorder in English history. This book describes the events in detail, sets them in their wider context, and uses them to examine the interpenetration of theatre and disorder. Previous understandings of the riots are substantially revised by stressing populist rather than class politics. Baer concentrates on the theatricality of audiences, the role of the stage in shaping English self-image and the relationship between contention and consensus. In so doing, theatre and theatricality are rediscovered as explanations for the cultural and political structures of the Georgian period. Based on meticulous research in theatre and governmental records, newspapers, private correspondence, and satirical prints and other ephemera, this study is an unusually interesting and original contribution to the social and political history of early 19th-century Britain. |
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Strana 35
... critical of prolonging the conflict by ' obstinate perseverance'.69 The playbill for 15 December included an apology and the promise to end legal proceedings against OPs . Kemble acted that evening for the first time since opening night ...
... critical of prolonging the conflict by ' obstinate perseverance'.69 The playbill for 15 December included an apology and the promise to end legal proceedings against OPs . Kemble acted that evening for the first time since opening night ...
Strana 103
... critical to maintaining law and order , as they understood also that intervention was no longer feasible . Unlike the 1730s , when the Licensing Act was passed in response to combined political and theatrical disturbances , occurrences ...
... critical to maintaining law and order , as they understood also that intervention was no longer feasible . Unlike the 1730s , when the Licensing Act was passed in response to combined political and theatrical disturbances , occurrences ...
Strana 108
... critically and deliberately conscious . " 64 Hunt and others may also have reacted against Kemble's use of the stage to ... Critical Essays on the Performers of the London Theatres ( 1807 ) ; Christie , ' British Newspapers ' , 332 . 66 ...
... critically and deliberately conscious . " 64 Hunt and others may also have reacted against Kemble's use of the stage to ... Critical Essays on the Performers of the London Theatres ( 1807 ) ; Christie , ' British Newspapers ' , 332 . 66 ...
Obsah
Map of Londons West End c 1809 | 1 |
PERSPECTIVES | 7 |
The Great OP War | 18 |
Autorská práva | |
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Odkazy na tuto knihu
The Shock of the Real: Romanticism and Visual Culture, 1760-1860 Gillen D'Arcy Wood Náhled není k dispozici. - 2001 |