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No. 23. Tuesday, March 27, 1711

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[ADDISON.

Sævit atrox Volscens, nec teli conspicit usquam
Auctorem, nec quo se ardens immittere possit.
-VIRG., En. ix. 420.

HERE is nothing that more betrays a base ungenerous spirit, than the giving of secret stabs to a man's reputation. Lampoons and satires, that are written with wit and spirit, are like poisoned darts, which not only inflict a wound, but make it incurable. For this reason, I am very much troubled when I see the talents of humour and ridicule in the possession of an ill-natured man. There cannot be a greater gratification to a barbarous and inhuman wit, than to stir up sorrow in the heart of a private person, to raise uneasiness among near relations, and to expose whole families to derision, at the same time that he remains unseen and undiscovered. If, besides the accomplishments of being witty and ill-natured, a man is vicious into the bargain, he is one of the most mischievous creatures that can enter into a civil society. His satire will then chiefly fall upon those who ought to be the most exempt from it. Virtue, merit, and everything that is praiseworthy, will be made the subject of ridicule and buffoonery. It is impossible to enumerate the evils which arise from these arrows that fly in the dark, and I know no other excuse that is or can be made for them, than that the wounds they give are only imaginary, and produce nothing more than a secret shame or sorrow in the mind of the suffering person. It must indeed be

confessed that a lampoon or a satire do not carry in them robbery or murder; but at the same time, how many are there that would not rather lose a considerable sum of money, or even life itself, than be set up as a mark of infamy and derision? And in this case a man should consider, that an injury is not to be measured by the notions of him that gives, but of him that receives it.

Those who can put the best countenance upon the outrages of this nature which are offered them, are not without their secret anguish. I have often

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observed a passage in Socrates's behaviour at his death, in a light wherein none of the critics have considered it. That excellent man, entertaining his friends, a little before he drank the bowl of poison, with a discourse on the immortality of the soul, at his entering upon it says, that he does not believe any the most comic genius can censure him for talking upon such a subject at such a time. passage, I think, evidently glances upon Aristophanes, who wrote a comedy on purpose to ridicule the discourses of that divine philosopher. It has been observed by many writers, that Socrates was so little moved at this piece of buffoonery, that he was several times present at its being acted upon the stage, and never expressed the least resentment of it. But with submission, I think the remark I have here made shows us that this unworthy treatment made an impression upon his mind, though he had been too wise to discover it.

When Julius Cæsar was lampooned by Catullus, he invited him to a supper, and treated him with such a generous civility, that he made the poet his 1 See Aristophanes' The Clouds,' and Plato's Phaedon.'

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friend ever after. Cardinal Mazarin gave the same kind of treatment to the learned Quillet, who had reflected upon his eminence in a famous Latin poem. The cardinal sent for him, and after some kind expostulations upon what he had written, assured him of his esteem, and dismissed him with a promise of the next good abbey that should fall, which he accordingly conferred upon him in a few months after. This had so good an effect upon the author, that he dedicated the second edition of his book to the cardinal, after having expunged the passages which had given him offence.

Sextus Quintus was not of so generous and forgiving a temper. Upon his being made pope, the statue of Pasquin 3 was one night dressed in a very

1 Suetonius's Life of Julius Cæsar.' But the attack on Cæsar and Mamurra remains among Catullus's Poems (No. 29).

2 Claude Quillet published a Latin poem in four books, entitled Callipædia, seu de pulchræ prolis habendâ ratione,' at Leyden, under the name of Calvidius Lætus, in 1655. In discussing unions harmonious and inharmonious, he digressed into an invective against marriages of Powers, when not in accordance with certain conditions; and complained that France entered into such unions prolific only of ill, witness her gift of sovereign power to a Sicilian stranger.

Trinacriis devectus ab oris advena.

Mazarin, though born at Rome, was of Sicilian family. In the second edition, published at Paris in 1656, dedicated to the Cardinal Mazarin, the passages complained of were omitted for the reason and with the result told in the text; the poet getting une jolie Abbaye de 400 pistoles,' which he enjoyed until his death (aged fifty-nine) in 1661 (Morley).

3 Pasquino is said to have been a cobbler or tailor, who lived in Rome early in the sixteenth century, and had a very satirical tongue. After his death the broken statue of a gladiator was discovered under the foundations of his stall, and was set up in the Piazza di Pasquino. The wits said that Pasquino lived again in this statue, which carried on lively controversy with a neighbouring statue, by

dirty shirt, with an excuse written under it, that he was forced to wear foul linen because his laundress was made a princess. This was a reflection upon the Pope's sister, who, before the promotion of her brother, was in those mean circumstances that Pasquin represented her. As this pasquinade made a great noise in Rome, the Pope offered a considerable sum of money to any person that should discover the author of it. The author, relying upon his Holiness's generosity, as also on some private overtures which he had received from him, made the discovery himself; upon which the Pope gave him the reward he had promised, but at the same time, to disable the satirist for the future, ordered his tongue to be cut out, and both his hands to be chopped off.1 Aretine is too trite an instance. Every one knows that all the kings of Europe were his tributaries. Nay, there is a letter of his extant, in which he makes his boasts that he had laid the Sophy of Persia under contribution.

Though in the various examples which I have here drawn together, these several great men behaved themselves very differently towards the wits of the age who had reproached them, they all of them plainly showed that they were very sensible of their reproaches, and consequently that they received them. as very great injuries. For my own part, I would never trust a man that I thought was capable of means of questions and answers affixed to one or the other. Camilla, the sister of Pope Sextus V., who was the son of a gardener, had been a laundress.

1Life of Sextus V.,' by Gregorio Leti, 1669. This book, however, appears to be worthy of little credence.

2 Pietro d'Arezzo (1492-1557), the satirist, was called 'the Scourge of Princes.' Pope Clement VII., Francis I. of France, and the Emperor Charles V. all gave him presents.

giving these secret wounds; and cannot but think that he would hurt the person, whose reputation he thus assaults, in his body or in his fortune, could he do it with the same security. There is indeed something very barbarous and inhuman in the ordinary scribblers of lampoons. An innocent young lady shall be exposed, for an unhappy feature; a father of a family turned to ridicule, for some domestic calamity; a wife be made uneasy all her life, for a misinterpreted word or action. Nay, a good, a temperate, and a just man shall be put out of countenance by the representation of those qualities that should do him honour. So pernicious a thing is wit, when it is not tempered with virtue and humanity.

I have indeed heard of heedless inconsiderate writers, that, without any malice, have sacrificed the reputation of their friends and acquaintance to a certain levity of temper and a silly ambition of distinguishing themselves by a spirit of raillery and satire as if it were not infinitely more honourable to be a good-natured man than a wit. Where there is this little petulant humour in an author, he is often very mischievous without designing to be so. For which reason I always lay it down as a rule, that an indiscreet man is more hurtful than an ill-natured one; for as the former will only attack his enemies, and those he wishes ill to, the other injures indifferently both friends and foes. I cannot forbear on this occasion transcribing a fable out of Sir Roger l'Estrange, which accidentally lies before me. company of waggish boys were watching of frogs at the side of a pond, and still as any of them put up

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1 L'Estrange's Fables of Æsop and other eminent Mythologists, with Morals and Reflections,' first appeared in 1692, in folio.

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