Praise Disjoined: Changing Patterns of Salvation in 17th-century English LiteratureWilliam P. Shaw P. Lang, 1991 - Počet stran: 306 Growing skepticism and rationalism contributed to the decline of religious enthusiasm in England in the seventeenth century, and time-honored notions about salvation and damnation became increasingly vitiated by secular, pragmatic concerns. This important collection of essays investigates the ways important writers of the age forcefully renegotiated their understanding of the terms of salvation and damnation, either affirming the old or accomodating some new understanding. After the Puritan Revolution had run its course, the end of the century witnessed a new consensus, one more deferential to individualism, utilitarianism, and secular millenarianism than to the hierarchical orders inherent in Christian feudalism and monarchy. |
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Strana 182
... body and soul . God still remains a rather vaguely evoked presence in the poem , designated only as " that face " -a sort of abstracted form of the clock - face of line four , a clock whose hands were moved by the motions of pendulum ...
... body and soul . God still remains a rather vaguely evoked presence in the poem , designated only as " that face " -a sort of abstracted form of the clock - face of line four , a clock whose hands were moved by the motions of pendulum ...
Strana 184
... body " dwells " in the earth , he says , his " sinnes " shall “ fall ” to “ where they ' are bred , and would presse ... body , and the sins ? The soul returns to its origin in heaven , the body remains in its original consonances ...
... body " dwells " in the earth , he says , his " sinnes " shall “ fall ” to “ where they ' are bred , and would presse ... body , and the sins ? The soul returns to its origin in heaven , the body remains in its original consonances ...
Strana 187
... body and soul in spite of the sins they have " bred . " The Faustian logic of Sonnet III seeks by a trick of language to make the body disappear , but such a verbal magic ( which reveals its own attachment to the body at every stage or ...
... body and soul in spite of the sins they have " bred . " The Faustian logic of Sonnet III seeks by a trick of language to make the body disappear , but such a verbal magic ( which reveals its own attachment to the body at every stage or ...
Obsah
Introduction | 1 |
Rhetoric and Salvation in the Seventeenth Century | 51 |
The Puritan Rhetoric of Childbearing | 73 |
Autorská práva | |
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