Twentieth-Century Drama Dialogue as Ordinary Talk: Speaking Between the LinesRoutledge, 5. 12. 2016 - Počet stran: 152 In this book, Susan Mandala offers a series of in-depth investigations into how the dialogue of four modern plays 'works' with respect to the pragmatic and discoursal norms postulated for ordinary conversation. After an account of the often-heated debates between linguists and critics concerning the analysis of drama dialogue as talk, four plays are considered: Harold Pinter's The Homecoming, Arnold Wesker's Roots, Terence Rattigan's In Praise of Love, and Alan Ayckbourn's Just Between Ourselves. For readers unfamiliar with linguistic approaches to talk, a chapter outlining the major frameworks used in the analysis of the plays is also included. By considering both linguistic and literary perspectives, this book extends the boundaries of traditional criticism and shows how the linguistic study of conversation can contribute to our understanding of dramatic dialogue. |
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Strana 1887
... Malkin 1992; Dukore 1982; Evans 1977; Quigley 1975; Brown 1972; Esslin 1970), and a recent guide to studying plays includes a chapter on various linguistic aspects of interest to the study of dialogue (see Wallis and Shepherd 1998) ...
... Malkin 1992; Dukore 1982; Evans 1977; Quigley 1975; Brown 1972; Esslin 1970), and a recent guide to studying plays includes a chapter on various linguistic aspects of interest to the study of dialogue (see Wallis and Shepherd 1998) ...
Strana 1888
... Malkin, who explicitly commits herself to an investigation of the language of Pinter's dialogue in a study entitled Verbal Violence in Contemporary Drama (1992). In this work, Malkin makes clear that she views language as a powerful ...
... Malkin, who explicitly commits herself to an investigation of the language of Pinter's dialogue in a study entitled Verbal Violence in Contemporary Drama (1992). In this work, Malkin makes clear that she views language as a powerful ...
Strana 1889
... Malkin's analysis of The Caretaker follows suit . We are told that ' Mick's speech ... snowballs into the convoluted jargon of high finance and insurance ' ( Malkin 1992 : 60 ) , and this is followed by a lengthy list of words and ...
... Malkin's analysis of The Caretaker follows suit . We are told that ' Mick's speech ... snowballs into the convoluted jargon of high finance and insurance ' ( Malkin 1992 : 60 ) , and this is followed by a lengthy list of words and ...
Strana 1891
... Malkin may be following the lead of Esslin (1968, 1970), the undisputed 'big name' in Pinter criticism. As with the many critics who followed him, Esslin (1968, 1970) took a specific interest in Pinter's language. For him, Pinter was a ...
... Malkin may be following the lead of Esslin (1968, 1970), the undisputed 'big name' in Pinter criticism. As with the many critics who followed him, Esslin (1968, 1970) took a specific interest in Pinter's language. For him, Pinter was a ...
Strana 1893
... Malkin 1992: 54–5). While Malkin's point is instructive, a linguistic analysis can shed more light on why this stretch of dialogue strikes us as 'evasive' and 'bureaucratic'. Goldberg's speech makes use of the passive voice (the ...
... Malkin 1992: 54–5). While Malkin's point is instructive, a linguistic analysis can shed more light on why this stretch of dialogue strikes us as 'evasive' and 'bureaucratic'. Goldberg's speech makes use of the passive voice (the ...
Obsah
Approaches to Talk | 1914 |
The The Language | 1944 |
Language and Social Class in Arnold Weskers Roots | 1986 |
Understanding What Is Not Said | |
Alan Ayckbourns Just Between | |
Conclusion | |
Index | |
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Twentieth-century Drama Dialogue as Ordinary Talk: Speaking Between the Lines Susan Mandala Zobrazení fragmentů - 2007 |
Běžně se vyskytující výrazy a sousloví
Alan Ayckbourn Arnold Arnold Wesker audience Beatie Beatie's behaviour Brown and Levinson Bryants Cambridge University Press Caretaker Carter Casebook Challenge Chapter characters chess game cited conversation analysis Coulthard critics Dennis Dennis's dialect discourse analysis discussion Dornan drama dialogue Dukore duologue Elicitations English Esslin example filled pauses flouts Grice Harold Pinter hearer Herman Holt Homecoming illocutionary act illocutionary force implicature initiating interaction interlocutors interpretation issues Joey language Lenny Lenny’s linguistic literature London look Lydia Malkin Mark maxim metaphor move Neil Norfolk Norfolk dialect notes notice observe off-record ordinary talk performance Pinter's dialogue play playwright politeness positive Praise of Love prospect Queen's gambit declined question Quigley Quigley’s Rattigan Rebellato 2001 relevant Request for Action response Ronnie Ronnie's Roots Routledge Rusinko Ruth Ruth's Schegloff Sebastian sequence speaker speech act structure stylistics suggests Taylor Teddy Terence Rattigan Toolan Tsui turn-taking turns typically utterance Wesker Wilcher York