Twentieth-Century Drama Dialogue as Ordinary Talk: Speaking Between the LinesRoutledge, 5. 12. 2016 - Počet stran: 152 In this book, Susan Mandala offers a series of in-depth investigations into how the dialogue of four modern plays 'works' with respect to the pragmatic and discoursal norms postulated for ordinary conversation. After an account of the often-heated debates between linguists and critics concerning the analysis of drama dialogue as talk, four plays are considered: Harold Pinter's The Homecoming, Arnold Wesker's Roots, Terence Rattigan's In Praise of Love, and Alan Ayckbourn's Just Between Ourselves. For readers unfamiliar with linguistic approaches to talk, a chapter outlining the major frameworks used in the analysis of the plays is also included. By considering both linguistic and literary perspectives, this book extends the boundaries of traditional criticism and shows how the linguistic study of conversation can contribute to our understanding of dramatic dialogue. |
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Strana 1889
... behaviour ' , and so forth . What is of concern here is not so much the decision to look at idiom , cliché , jargon , and slang . Indeed , these features are clearly relevant to the discussion and Malkin is justified in pointing out ...
... behaviour ' , and so forth . What is of concern here is not so much the decision to look at idiom , cliché , jargon , and slang . Indeed , these features are clearly relevant to the discussion and Malkin is justified in pointing out ...
Strana 1902
... behaviour that the audience and the dramatist share . Short ( 1989 : 149 ) proposes a similar framework , noting that when ' character speaks to character ... this discourse is part of what the playwright ' tells ' the audience ' ( for ...
... behaviour that the audience and the dramatist share . Short ( 1989 : 149 ) proposes a similar framework , noting that when ' character speaks to character ... this discourse is part of what the playwright ' tells ' the audience ' ( for ...
Strana 1907
... behaviour or a reflection of one of life's many absurdities , but the fact remains that Davies ' hesitation here does not have to be read as an inability to express himself . Work in conversation analysis demonstrates with even greater ...
... behaviour or a reflection of one of life's many absurdities , but the fact remains that Davies ' hesitation here does not have to be read as an inability to express himself . Work in conversation analysis demonstrates with even greater ...
Strana 1921
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Strana 1926
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Obsah
Approaches to Talk | 1914 |
The The Language | 1944 |
Language and Social Class in Arnold Weskers Roots | 1986 |
Understanding What Is Not Said | |
Alan Ayckbourns Just Between | |
Conclusion | |
Index | |
Další vydání - Zobrazit všechny
Twentieth-century Drama Dialogue as Ordinary Talk: Speaking Between the Lines Susan Mandala Zobrazení fragmentů - 2007 |
Běžně se vyskytující výrazy a sousloví
Alan Ayckbourn Arnold Arnold Wesker audience Beatie Beatie's behaviour Brown and Levinson Bryants Cambridge University Press Caretaker Carter Casebook Challenge Chapter characters chess game cited conversation analysis Coulthard critics Dennis Dennis's dialect discourse analysis discussion Dornan drama dialogue Dukore duologue Elicitations English Esslin example filled pauses flouts Grice Harold Pinter hearer Herman Holt Homecoming illocutionary act illocutionary force implicature initiating interaction interlocutors interpretation issues Joey language Lenny Lenny’s linguistic literature London look Lydia Malkin Mark maxim metaphor move Neil Norfolk Norfolk dialect notes notice observe off-record ordinary talk performance Pinter's dialogue play playwright politeness positive Praise of Love prospect Queen's gambit declined question Quigley Quigley’s Rattigan Rebellato 2001 relevant Request for Action response Ronnie Ronnie's Roots Routledge Rusinko Ruth Ruth's Schegloff Sebastian sequence speaker speech act structure stylistics suggests Taylor Teddy Terence Rattigan Toolan Tsui turn-taking turns typically utterance Wesker Wilcher York