Twentieth-Century Drama Dialogue as Ordinary Talk: Speaking Between the LinesRoutledge, 5. 12. 2016 - Počet stran: 152 In this book, Susan Mandala offers a series of in-depth investigations into how the dialogue of four modern plays 'works' with respect to the pragmatic and discoursal norms postulated for ordinary conversation. After an account of the often-heated debates between linguists and critics concerning the analysis of drama dialogue as talk, four plays are considered: Harold Pinter's The Homecoming, Arnold Wesker's Roots, Terence Rattigan's In Praise of Love, and Alan Ayckbourn's Just Between Ourselves. For readers unfamiliar with linguistic approaches to talk, a chapter outlining the major frameworks used in the analysis of the plays is also included. By considering both linguistic and literary perspectives, this book extends the boundaries of traditional criticism and shows how the linguistic study of conversation can contribute to our understanding of dramatic dialogue. |
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Strana 1891
... initiating moves in discourse to look at the interrogation scene in The Birthday Party; and Gautam (1987) explores problematic interactions in The Caretaker with respect to teacher-pupil discourse (Sinclair and Coulthard 1975), and the ...
... initiating moves in discourse to look at the interrogation scene in The Birthday Party; and Gautam (1987) explores problematic interactions in The Caretaker with respect to teacher-pupil discourse (Sinclair and Coulthard 1975), and the ...
Strana 1899
... initiating move is made , there are only a limited number of expected responses , and anything that occurs will be interpreted in light of those expectations ( Sinclair 1992 : 83 ) . While participants in a conversation are not bound by ...
... initiating move is made , there are only a limited number of expected responses , and anything that occurs will be interpreted in light of those expectations ( Sinclair 1992 : 83 ) . While participants in a conversation are not bound by ...
Strana 1907
... initiates and carries out the repair ( i.e. the speaker corrects him or herself without prompting from anyone else ) . Self - initiated other - repair is when the producer of the trouble source solicits help from the recipient in order ...
... initiates and carries out the repair ( i.e. the speaker corrects him or herself without prompting from anyone else ) . Self - initiated other - repair is when the producer of the trouble source solicits help from the recipient in order ...
Strana 1908
Speaking Between the Lines Susan Mandala. initiated other repair is when the recipient initiates and carries out the repair ( i.e. , the hearer corrects the speaker ) . Piazza ( 1999 ) applies work on repair mechanisms to their ...
Speaking Between the Lines Susan Mandala. initiated other repair is when the recipient initiates and carries out the repair ( i.e. , the hearer corrects the speaker ) . Piazza ( 1999 ) applies work on repair mechanisms to their ...
Strana 1912
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Obsah
Approaches to Talk | 1914 |
The The Language | 1944 |
Language and Social Class in Arnold Weskers Roots | 1986 |
Understanding What Is Not Said | |
Alan Ayckbourns Just Between | |
Conclusion | |
Index | |
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Twentieth-century Drama Dialogue as Ordinary Talk: Speaking Between the Lines Susan Mandala Zobrazení fragmentů - 2007 |
Běžně se vyskytující výrazy a sousloví
Alan Ayckbourn Arnold Arnold Wesker audience Beatie Beatie's behaviour Brown and Levinson Bryants Cambridge University Press Caretaker Carter Casebook Challenge Chapter characters chess game cited conversation analysis Coulthard critics Dennis Dennis's dialect discourse analysis discussion Dornan drama dialogue Dukore duologue Elicitations English Esslin example filled pauses flouts Grice Harold Pinter hearer Herman Holt Homecoming illocutionary act illocutionary force implicature initiating interaction interlocutors interpretation issues Joey language Lenny Lenny’s linguistic literature London look Lydia Malkin Mark maxim metaphor move Neil Norfolk Norfolk dialect notes notice observe off-record ordinary talk performance Pinter's dialogue play playwright politeness positive Praise of Love prospect Queen's gambit declined question Quigley Quigley’s Rattigan Rebellato 2001 relevant Request for Action response Ronnie Ronnie's Roots Routledge Rusinko Ruth Ruth's Schegloff Sebastian sequence speaker speech act structure stylistics suggests Taylor Teddy Terence Rattigan Toolan Tsui turn-taking turns typically utterance Wesker Wilcher York