Twentieth-Century Drama Dialogue as Ordinary Talk: Speaking Between the LinesRoutledge, 5. 12. 2016 - Počet stran: 152 In this book, Susan Mandala offers a series of in-depth investigations into how the dialogue of four modern plays 'works' with respect to the pragmatic and discoursal norms postulated for ordinary conversation. After an account of the often-heated debates between linguists and critics concerning the analysis of drama dialogue as talk, four plays are considered: Harold Pinter's The Homecoming, Arnold Wesker's Roots, Terence Rattigan's In Praise of Love, and Alan Ayckbourn's Just Between Ourselves. For readers unfamiliar with linguistic approaches to talk, a chapter outlining the major frameworks used in the analysis of the plays is also included. By considering both linguistic and literary perspectives, this book extends the boundaries of traditional criticism and shows how the linguistic study of conversation can contribute to our understanding of dramatic dialogue. |
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Strana 1880
... move away from text immanent criticism to a more theoretical concern with the factors outside the text that may determine or interact with elements which appear in the text' is certainly an indication of this acceptance. And while work ...
... move away from text immanent criticism to a more theoretical concern with the factors outside the text that may determine or interact with elements which appear in the text' is certainly an indication of this acceptance. And while work ...
Strana 1891
... moves in discourse to look at the interrogation scene in The Birthday Party; and Gautam (1987) explores problematic interactions in The Caretaker with respect to teacher-pupil discourse (Sinclair and Coulthard 1975), and the cooperative ...
... moves in discourse to look at the interrogation scene in The Birthday Party; and Gautam (1987) explores problematic interactions in The Caretaker with respect to teacher-pupil discourse (Sinclair and Coulthard 1975), and the cooperative ...
Strana 1899
... move is made , there are only a limited number of expected responses , and anything that occurs will be interpreted in light of those expectations ( Sinclair 1992 : 83 ) . While participants in a conversation are not bound by a fixed.
... move is made , there are only a limited number of expected responses , and anything that occurs will be interpreted in light of those expectations ( Sinclair 1992 : 83 ) . While participants in a conversation are not bound by a fixed.
Strana 1902
... moves on to more traditional territory , contrasting the opening of The Caretaker with the opening of Beckett's Waiting for Godot ( Kennedy 1975 : 170 ) . While there is much of interest in his comparison , it does little to advance his ...
... moves on to more traditional territory , contrasting the opening of The Caretaker with the opening of Beckett's Waiting for Godot ( Kennedy 1975 : 170 ) . While there is much of interest in his comparison , it does little to advance his ...
Strana 1904
... move audiences (Quigley 1975). Esslin (1970) runs into similar problems when dealing with Pinter's dialogue as represented talk between interlocutors. His starting point is that a true understanding of Pinter's use of language must ...
... move audiences (Quigley 1975). Esslin (1970) runs into similar problems when dealing with Pinter's dialogue as represented talk between interlocutors. His starting point is that a true understanding of Pinter's use of language must ...
Obsah
Approaches to Talk | 1914 |
The The Language | 1944 |
Language and Social Class in Arnold Weskers Roots | 1986 |
Understanding What Is Not Said | |
Alan Ayckbourns Just Between | |
Conclusion | |
Index | |
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Twentieth-century Drama Dialogue as Ordinary Talk: Speaking Between the Lines Susan Mandala Zobrazení fragmentů - 2007 |
Běžně se vyskytující výrazy a sousloví
Alan Ayckbourn Arnold Arnold Wesker audience Beatie Beatie's behaviour Brown and Levinson Bryants Cambridge University Press Caretaker Carter Casebook Challenge Chapter characters chess game cited conversation analysis Coulthard critics Dennis Dennis's dialect discourse analysis discussion Dornan drama dialogue Dukore duologue Elicitations English Esslin example filled pauses flouts Grice Harold Pinter hearer Herman Holt Homecoming illocutionary act illocutionary force implicature initiating interaction interlocutors interpretation issues Joey language Lenny Lenny’s linguistic literature London look Lydia Malkin Mark maxim metaphor move Neil Norfolk Norfolk dialect notes notice observe off-record ordinary talk performance Pinter's dialogue play playwright politeness positive Praise of Love prospect Queen's gambit declined question Quigley Quigley’s Rattigan Rebellato 2001 relevant Request for Action response Ronnie Ronnie's Roots Routledge Rusinko Ruth Ruth's Schegloff Sebastian sequence speaker speech act structure stylistics suggests Taylor Teddy Terence Rattigan Toolan Tsui turn-taking turns typically utterance Wesker Wilcher York