Twentieth-Century Drama Dialogue as Ordinary Talk: Speaking Between the LinesRoutledge, 5. 12. 2016 - Počet stran: 152 In this book, Susan Mandala offers a series of in-depth investigations into how the dialogue of four modern plays 'works' with respect to the pragmatic and discoursal norms postulated for ordinary conversation. After an account of the often-heated debates between linguists and critics concerning the analysis of drama dialogue as talk, four plays are considered: Harold Pinter's The Homecoming, Arnold Wesker's Roots, Terence Rattigan's In Praise of Love, and Alan Ayckbourn's Just Between Ourselves. For readers unfamiliar with linguistic approaches to talk, a chapter outlining the major frameworks used in the analysis of the plays is also included. By considering both linguistic and literary perspectives, this book extends the boundaries of traditional criticism and shows how the linguistic study of conversation can contribute to our understanding of dramatic dialogue. |
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Strana 1884
... Performance. One of the first questions that needs to be asked is whether play texts can legitimately be studied apart from their performances. The stylistic study of drama assumes that a rigorous study Drama Dialogue and Talk.
... Performance. One of the first questions that needs to be asked is whether play texts can legitimately be studied apart from their performances. The stylistic study of drama assumes that a rigorous study Drama Dialogue and Talk.
Strana 1885
... performance for an audience (Lennard and Luckhurst 2002). Conceptualizing drama in this way clearly privileges performance over text. What then of those who wish to foreground the text? Mick Short, a specialist in the stylistics of ...
... performance for an audience (Lennard and Luckhurst 2002). Conceptualizing drama in this way clearly privileges performance over text. What then of those who wish to foreground the text? Mick Short, a specialist in the stylistics of ...
Strana 1886
... performance (Lennard and Luckhurst 2002) as an anchor. Short (1998: 9) also notes that the play text itself contains a wealth of performance information that is available for readers to access. While it may be tempting to dismiss ...
... performance (Lennard and Luckhurst 2002) as an anchor. Short (1998: 9) also notes that the play text itself contains a wealth of performance information that is available for readers to access. While it may be tempting to dismiss ...
Strana 1887
... performance, the status of the written text, and the cognitive ability of its reader, should not be ignored or underestimated. The. Drama. Critic. and. the. Linguist. Having decided that texts can be legitimately analysed in the absence of ...
... performance, the status of the written text, and the cognitive ability of its reader, should not be ignored or underestimated. The. Drama. Critic. and. the. Linguist. Having decided that texts can be legitimately analysed in the absence of ...
Strana 1890
... performance of infelicitous speech acts can be related to absurdist themes in Beckett's Waiting for Godot; Coulthard (1977/1985) looks at questions and prospected answers in a discussion of why Othello is so easily convinced of his ...
... performance of infelicitous speech acts can be related to absurdist themes in Beckett's Waiting for Godot; Coulthard (1977/1985) looks at questions and prospected answers in a discussion of why Othello is so easily convinced of his ...
Obsah
Approaches to Talk | 1914 |
The The Language | 1944 |
Language and Social Class in Arnold Weskers Roots | 1986 |
Understanding What Is Not Said | |
Alan Ayckbourns Just Between | |
Conclusion | |
Index | |
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Twentieth-century Drama Dialogue as Ordinary Talk: Speaking Between the Lines Susan Mandala Zobrazení fragmentů - 2007 |
Běžně se vyskytující výrazy a sousloví
Alan Ayckbourn Arnold Arnold Wesker audience Beatie Beatie's behaviour Brown and Levinson Bryants Cambridge University Press Caretaker Carter Casebook Challenge Chapter characters chess game cited conversation analysis Coulthard critics Dennis Dennis's dialect discourse analysis discussion Dornan drama dialogue Dukore duologue Elicitations English Esslin example filled pauses flouts Grice Harold Pinter hearer Herman Holt Homecoming illocutionary act illocutionary force implicature initiating interaction interlocutors interpretation issues Joey language Lenny Lenny’s linguistic literature London look Lydia Malkin Mark maxim metaphor move Neil Norfolk Norfolk dialect notes notice observe off-record ordinary talk performance Pinter's dialogue play playwright politeness positive Praise of Love prospect Queen's gambit declined question Quigley Quigley’s Rattigan Rebellato 2001 relevant Request for Action response Ronnie Ronnie's Roots Routledge Rusinko Ruth Ruth's Schegloff Sebastian sequence speaker speech act structure stylistics suggests Taylor Teddy Terence Rattigan Toolan Tsui turn-taking turns typically utterance Wesker Wilcher York