Twentieth-Century Drama Dialogue as Ordinary Talk: Speaking Between the LinesRoutledge, 5. 12. 2016 - Počet stran: 152 In this book, Susan Mandala offers a series of in-depth investigations into how the dialogue of four modern plays 'works' with respect to the pragmatic and discoursal norms postulated for ordinary conversation. After an account of the often-heated debates between linguists and critics concerning the analysis of drama dialogue as talk, four plays are considered: Harold Pinter's The Homecoming, Arnold Wesker's Roots, Terence Rattigan's In Praise of Love, and Alan Ayckbourn's Just Between Ourselves. For readers unfamiliar with linguistic approaches to talk, a chapter outlining the major frameworks used in the analysis of the plays is also included. By considering both linguistic and literary perspectives, this book extends the boundaries of traditional criticism and shows how the linguistic study of conversation can contribute to our understanding of dramatic dialogue. |
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Strana 1876
... stylistics of drama is still relatively uncharted territory. In her ground-breaking work on drama dialogue and discourse published in 1980, Deirdre Burton claimed that stylisticians typically did not deal with drama texts (1980: 3) ...
... stylistics of drama is still relatively uncharted territory. In her ground-breaking work on drama dialogue and discourse published in 1980, Deirdre Burton claimed that stylisticians typically did not deal with drama texts (1980: 3) ...
Strana 1877
... Stylistics of Fiction addresses itself, as the title indicates, to prose fiction, primarily Faulkner, and his 1988 work on narrative has a similar focus. Leech and Short (1981) similarly constrain themselves to prose fiction, and Babb's ...
... Stylistics of Fiction addresses itself, as the title indicates, to prose fiction, primarily Faulkner, and his 1988 work on narrative has a similar focus. Leech and Short (1981) similarly constrain themselves to prose fiction, and Babb's ...
Strana 1878
... stylistic features can be more successfully achieved within a rigorous linguistic framework ' , but not without first noting that ' evaluation and interpretation is the province of the literary critic ' . While Carter ( 1982 : 8 ) has ...
... stylistic features can be more successfully achieved within a rigorous linguistic framework ' , but not without first noting that ' evaluation and interpretation is the province of the literary critic ' . While Carter ( 1982 : 8 ) has ...
Strana 1880
... stylistics' that proposes 'a move away from text immanent criticism to a more theoretical concern with the factors outside the text that may determine or interact with elements which appear in the text' is certainly an indication of ...
... stylistics' that proposes 'a move away from text immanent criticism to a more theoretical concern with the factors outside the text that may determine or interact with elements which appear in the text' is certainly an indication of ...
Strana 1881
... stylistics has clearly come a long way from its formalist roots, and the commitment to analytical rigour is a strength, not an embarrassment. As the studies in this book will demonstrate, Jakobson in one respect, at least, was right ...
... stylistics has clearly come a long way from its formalist roots, and the commitment to analytical rigour is a strength, not an embarrassment. As the studies in this book will demonstrate, Jakobson in one respect, at least, was right ...
Obsah
Approaches to Talk | 1914 |
The The Language | 1944 |
Language and Social Class in Arnold Weskers Roots | 1986 |
Understanding What Is Not Said | |
Alan Ayckbourns Just Between | |
Conclusion | |
Index | |
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Twentieth-century Drama Dialogue as Ordinary Talk: Speaking Between the Lines Susan Mandala Zobrazení fragmentů - 2007 |
Běžně se vyskytující výrazy a sousloví
Alan Ayckbourn Arnold Arnold Wesker audience Beatie Beatie's behaviour Brown and Levinson Bryants Cambridge University Press Caretaker Carter Casebook Challenge Chapter characters chess game cited conversation analysis Coulthard critics Dennis Dennis's dialect discourse analysis discussion Dornan drama dialogue Dukore duologue Elicitations English Esslin example filled pauses flouts Grice Harold Pinter hearer Herman Holt Homecoming illocutionary act illocutionary force implicature initiating interaction interlocutors interpretation issues Joey language Lenny Lenny’s linguistic literature London look Lydia Malkin Mark maxim metaphor move Neil Norfolk Norfolk dialect notes notice observe off-record ordinary talk performance Pinter's dialogue play playwright politeness positive Praise of Love prospect Queen's gambit declined question Quigley Quigley’s Rattigan Rebellato 2001 relevant Request for Action response Ronnie Ronnie's Roots Routledge Rusinko Ruth Ruth's Schegloff Sebastian sequence speaker speech act structure stylistics suggests Taylor Teddy Terence Rattigan Toolan Tsui turn-taking turns typically utterance Wesker Wilcher York