Twentieth-Century Drama Dialogue as Ordinary Talk: Speaking Between the LinesRoutledge, 5. 12. 2016 - Počet stran: 152 In this book, Susan Mandala offers a series of in-depth investigations into how the dialogue of four modern plays 'works' with respect to the pragmatic and discoursal norms postulated for ordinary conversation. After an account of the often-heated debates between linguists and critics concerning the analysis of drama dialogue as talk, four plays are considered: Harold Pinter's The Homecoming, Arnold Wesker's Roots, Terence Rattigan's In Praise of Love, and Alan Ayckbourn's Just Between Ourselves. For readers unfamiliar with linguistic approaches to talk, a chapter outlining the major frameworks used in the analysis of the plays is also included. By considering both linguistic and literary perspectives, this book extends the boundaries of traditional criticism and shows how the linguistic study of conversation can contribute to our understanding of dramatic dialogue. |
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Strana 1882
... utterances until the end of the play. In contrast, my interpretation of Roots, which draws on variation in English, is very different. What Coulthard (1977/1985: 179) has said of literature can also be said of drama: it is an art form ...
... utterances until the end of the play. In contrast, my interpretation of Roots, which draws on variation in English, is very different. What Coulthard (1977/1985: 179) has said of literature can also be said of drama: it is an art form ...
Strana 1886
... utterance or a line of dialogue in isolation can be interpreted in a number of different ways, we do not in the main encounter in play texts isolated lines of dialogue. Written plays provide contexts for their dialogue, and as Short ...
... utterance or a line of dialogue in isolation can be interpreted in a number of different ways, we do not in the main encounter in play texts isolated lines of dialogue. Written plays provide contexts for their dialogue, and as Short ...
Strana 1906
... utterance hesitations because they are inarticulate ( see also Hayman 1977 : 65 , who makes a similar point ) . A linguistic account of such hesitations , however , reveals that there is considerably more to be said on the matter . This ...
... utterance hesitations because they are inarticulate ( see also Hayman 1977 : 65 , who makes a similar point ) . A linguistic account of such hesitations , however , reveals that there is considerably more to be said on the matter . This ...
Strana 1907
... utterances that may be potentially offensive to the hearer , and this is clearly what is happening in the extract above . Aston has invited Davies to sit down without actually providing a chair , and Davies chooses to leave his ...
... utterances that may be potentially offensive to the hearer , and this is clearly what is happening in the extract above . Aston has invited Davies to sit down without actually providing a chair , and Davies chooses to leave his ...
Strana 1910
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Obsah
Approaches to Talk | 1914 |
The The Language | 1944 |
Language and Social Class in Arnold Weskers Roots | 1986 |
Understanding What Is Not Said | |
Alan Ayckbourns Just Between | |
Conclusion | |
Index | |
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Twentieth-century Drama Dialogue as Ordinary Talk: Speaking Between the Lines Susan Mandala Zobrazení fragmentů - 2007 |
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Alan Ayckbourn Arnold Arnold Wesker audience Beatie Beatie's behaviour Brown and Levinson Bryants Cambridge University Press Caretaker Carter Casebook Challenge Chapter characters chess game cited conversation analysis Coulthard critics Dennis Dennis's dialect discourse analysis discussion Dornan drama dialogue Dukore duologue Elicitations English Esslin example filled pauses flouts Grice Harold Pinter hearer Herman Holt Homecoming illocutionary act illocutionary force implicature initiating interaction interlocutors interpretation issues Joey language Lenny Lenny’s linguistic literature London look Lydia Malkin Mark maxim metaphor move Neil Norfolk Norfolk dialect notes notice observe off-record ordinary talk performance Pinter's dialogue play playwright politeness positive Praise of Love prospect Queen's gambit declined question Quigley Quigley’s Rattigan Rebellato 2001 relevant Request for Action response Ronnie Ronnie's Roots Routledge Rusinko Ruth Ruth's Schegloff Sebastian sequence speaker speech act structure stylistics suggests Taylor Teddy Terence Rattigan Toolan Tsui turn-taking turns typically utterance Wesker Wilcher York