Shakespeare's Dramatic Art: And His Relation to Calderon and Goethe, Svazek 1

Accordingly action already ancient appears artistic beauty Ben Jonson Calderon caprice character Christian Church circumstances Collier comedy comic view composition consequently Coriolanus criticism Cymbeline death divine doubt Drake earthly English epical evil exhibited existence external fact Falstaff fancy feeling fundamental idea genius Gentlemen of Verona genuine Goethe Goethe's grace ground-idea Hamlet hand Henry the Sixth historical drama honour human Humanum Genus humour influence inmost intrinsic Jonson Julius Cæsar justice King language Lastly latter less Locrine lyrical Macbeth Malone merely mind moral nature necessity nevertheless noble objective organic Othello outward passion peculiar Pericles personages piece play poem poesy poet poetical poetry possess present Prince principle profound racter reflection reign Romeo Romeo and Juliet satire scene Shak Shakspeare Shakspeare's sonnets spirit thought Tieck tion Titus Andronicus tragedy tragic Troilus and Cressida true truth view of things virtue weakness whole