 | William Shakespeare - 1788 - 346 str.
...in the rigorous and critical sense, either tragedies or comedies, but compositions of a distirrcl: kind ; exhibiting the real state of sublunary nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion, and innumerable modes of combination ; and expressing the... | |
 | William Shakespeare - 1803 - 494 str.
...consideration. Let the fact be first stated, and then examined. critical sense either tragedies or comedies, but compositions of a distinct kind; exhibiting...nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination ; and expressing the... | |
 | William Shakespeare - 1804 - 256 str.
...the rigorous sense, either tragedies or comedies, but compositions of a distinct kind ; exhihiting the real state of sublunary nature, which partakes of good and evil, joy, and sorrow, mingled with endless proportion, and innumerable modes of comhination ; and expressing the course of... | |
 | William Shakespeare - 1806 - 394 str.
...and then examined. Shakspeare's plays are not in the rigorous and critical sense either tragedies or comedies, but compositions of a distinct kind; exhibiting...nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination ; and expressing the... | |
 | Samuel Johnson - 1806 - 376 str.
...examined. Shakespeare's plays are not in the rigorous and Critical sense either tragedies or comedies,but compositions of a distinct kind; exhibiting the real...nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination; and expressing the... | |
 | William Shakespeare - 1809 - 394 str.
...and then examined. Shakspeare's plays are not in the rigorous and critical sense either tragedies or comedies, but compositions of a distinct kind ; exhibiting...nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination; and expressing the... | |
 | Samuel Johnson - 1809 - 488 str.
...and then examined. Shakspcare's plays are not in the rigorous and critical sense, either tragedies or comedies, but compositions of a distinct kind ; exhibiting...nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination ; and expressing the... | |
 | William Shakespeare - 1809 - 390 str.
...examined. Shakppearc's plays are not in the rigorous and critical sense C'ther tr "geilies or remedies, but compositions of a distinct kind; exhibiting the...state of sublunary nature, which partakes of good andixvil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination;... | |
 | William Shakespeare - 1810 - 444 str.
...then examined. Shakspeare's plays are not, in the rigorous and critical sense, either tragedies or comedies, but compositions of a distinct kind ; exhibiting...nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion, and innumerable modes of combination ; and expressing the... | |
 | William Shakespeare - 1811 - 510 str.
...and then examined. Shakspeare's plays are not in the rigorous and critical sense either tragedies or comedies, but compositions of a distinct kind ; exhibiting...nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination ; and expressing the... | |
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... the real state of sublunary nature which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination, and expressing the course of the world... 
