Naming in Paradise: Milton and the Language of Adam and EveClarendon Press, 1990 - Počet stran: 304 Names and naming are more important to Paradise Lost than may first appear. This critical study traces Milton's use of prelapsarian and postlapsarian names and the various distinctions that infiltrate Paradise Lost. Through close analysis of the poem's words and narrative, Leonard uncovers areas of meaning that have previously been lost to modern readers, supplying a valuable interpretive key to many important passages. Taking Adam's naming of the animals as his starting point, Leonard explores such topics as the naming of Eve, the blotting out of the rebel angels' names, and Satan's deliberate misapplication of names. By relating these and other topics to the larger episodes of the Fall of the Angels and the Fall of Adam and Eve, Leonard enriches our reading of Paradise Lost. Referring to Milton's earlier editors, as well as modern critics, he provides new insights into such questions as: was Milton of the Devil's party?; were the angels self-tempted?; was Adam right to chooses death with Eve'. Intended primarily for Milton specialists, the warm and lively style of Naming in Paradise ensures that this book will be accessible both to graduate and undergraduate students. |
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Strana 40
... tell Eve just who he is . Here I have to admit that something of Adam's incontinent haste appears to have rubbed off on Milton , who never tells us when Eve first learned her husband's name . Adam doesn't volunteer it in this episode ...
... tell Eve just who he is . Here I have to admit that something of Adam's incontinent haste appears to have rubbed off on Milton , who never tells us when Eve first learned her husband's name . Adam doesn't volunteer it in this episode ...
Strana 50
... tells the truth and nothing but the truth . The irony is that it no longer tells the whole truth . III . NOT MERELY TITULAR Eve replies with quiet modesty to Adam's hailing of her : To whom thus Eve with sad demeanour meek . Ill worthie ...
... tells the truth and nothing but the truth . The irony is that it no longer tells the whole truth . III . NOT MERELY TITULAR Eve replies with quiet modesty to Adam's hailing of her : To whom thus Eve with sad demeanour meek . Ill worthie ...
Strana 235
... tell [ 1 , if Art could tell , How from that Saphire Fount the crisped Brooks , Rowling on Orient Pearl and sands of Gold ... Ran Nectar . Without both ' hows ' , the lines are too brash , too direct in claiming to tell how it all was ...
... tell [ 1 , if Art could tell , How from that Saphire Fount the crisped Brooks , Rowling on Orient Pearl and sands of Gold ... Ran Nectar . Without both ' hows ' , the lines are too brash , too direct in claiming to tell how it all was ...
Obsah
Naming Names | 23 |
Lucifer Prince of Twilight | 86 |
The Fall of the Angels | 147 |
Autorská práva | |
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Abdiel Adam and Eve Adam's naming Ambiguous animals argue argument Beast Beelzebub Belial Bentley blotted C. S. Lewis call'd Castalian Spring Christopher Ricks cited claim command Coriolanus Cratylus Creation creatures critics Death deputy devils divorce earth Empson Enemie enmity Eve's name evil Fall fallen angels fallen world Fish Fowler fruit Genesis glory God's Gods hath hear Heav'n Hebrew Hell Hesperus human Hume notes Hymn innocence interpretation John John Milton knowledge lines Lucifer Lucifer's meaning Messiah Milton Milton's Grand Style morning star natural language never Newton night original name Paradise Lost poem poet poet's praise prelapsarian prelapsarian language Raphael rapture rebel angels recognize Richardson Satan speaks Satan's name sense serpent servility Son's sound speech Stanley Fish Starr suggestion Surprised tells Temptation thee things thir thou Throne titles Tree Tree's name twilight understanding vertue VIII vocabulary voice William Empson words