Renaissance Drama 31: New Series XXXI 2002 Performing AffectJeffrey Masten, Wendy Wall Northwestern University Press, 24. 7. 2002 - Počet stran: 246 Performing Affect, Volume 31 of Renaissance Drama, examines the rehearsal of emotion on the Renaissance stage. These new essays consider the ways in which Renaissance plays represent emotional states, while also presenting new scholarship specifically on the performance of affect on the early modern stage. The essays thus consider the continuing effects of affect in early modern culture more broadly, beyond the thrust stage, asking the question: what are the instrumental and performative effects of Renaissance drama in a larger conception of Renaissance emotions? How do we reckon the effects of early modern drama and performance within a larger history of the emotive self? A number of these essays significantly press at the borders of the customary terms we use to denote emotional states, states for which the best early modern terms may well be affect and passions. Topics include: emotion and the humoral body; domestic abuse and trauma; the politics of onstage gesture; the relation of idolatry, desire, and necrophilia; the performance of such affective states as religious fervor, memory, jealousy, melancholy, and heroic masculinity. Renaissance Drama, an annual and interd |
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Rhetorical Husbandries and Portias True Conceit of Friendship | 3 |
The Gestural Politics of Counsel in The Spanish Tragedy | 27 |
Devotion Applause and Consent in Richard III | 61 |
DONALD HEDRICK Male Surplus Value | 85 |
KATHERINE ROWE Memory and Revision in Chapmans Bussy Plays | 125 |
The Anatomy of Abuses in Troilus and Cressida | 153 |
Melancholy Jealousy and Subjective Temporality in The Winters Tale | 185 |
The Corpse as Idol in The Second Maidens Tragedy | 215 |
Notes on Contributors | 245 |
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actor affective amen argues audience Austin Bassanio behavior Bevington body Bussy D'Ambois Bussy's Cambridge University Press Chapman character conciliar consent contemporary context Coriolanus corpse counselor Criseyde critical cultural dead desire difference Diomedes discourse Early Modern England economic Elizabethan emotional English essay example female figure friendship gender gesture Govianus Henry Hermione Herod Hieronimo History homily humoral husband ideology idol J. L. Austin king labor Lady Lady's language Leontes London lord Maffé male marriage Marx masculinity melancholy memory Monsieur necrophilia notes Oxford Pandarus performance play's political Polixenes Portia prayers production rape reading relation Renaissance Renaissance Drama representation revenge revision rhetoric Richard Richard III role Routledge scene Second Maiden's Tragedy sense sexual Shakespeare social sonnet Spanish Tragedy speech stage Stephen Orgel suggests surplus value Tamburlaine Tamyra’s temporal theater theatrical Troilus and Cressida Troilus's Tudor Tyrant utterance verbal abuse wife Winter's Tale woman women words York