The Spectator, Svazek 1J. Duncan, 1791 |
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Strana
... audience-based, but audience-led. The book is divided into two parts. Part I concentrates on the audience as a performer, the audience performance and the history of audience performance. Part II discusses evolving and emergent audience ...
... audience-based, but audience-led. The book is divided into two parts. Part I concentrates on the audience as a performer, the audience performance and the history of audience performance. Part II discusses evolving and emergent audience ...
Strana 14
... audience labour and intrusive technologies—all referring to potentials and limitations in the power position of audiences as individuals and smaller groups, in relation to social structures and transformations. But we also note here ...
... audience labour and intrusive technologies—all referring to potentials and limitations in the power position of audiences as individuals and smaller groups, in relation to social structures and transformations. But we also note here ...
Strana 50
... audience ( or actual audiences ) mentioned earlier , but the aim of a campaign source is to maximize the correspondence between the actual audience reached by different media and the target audience as conceived in the campaign plan ...
... audience ( or actual audiences ) mentioned earlier , but the aim of a campaign source is to maximize the correspondence between the actual audience reached by different media and the target audience as conceived in the campaign plan ...
Strana 57
... audience . Shevstova's survey of the audience shows that , as a result of this type of performance , the audience demonstrates that ' they are not mere spectators either of their own lives or of stage performances . They assert their ...
... audience . Shevstova's survey of the audience shows that , as a result of this type of performance , the audience demonstrates that ' they are not mere spectators either of their own lives or of stage performances . They assert their ...
Strana
... audience development', and its aim is to ensure that government funding for the arts is supported by a broader cross-section of the general public than would occur in other circumstances. The idea is that audience tastes are surveyed as ...
... audience development', and its aim is to ensure that government funding for the arts is supported by a broader cross-section of the general public than would occur in other circumstances. The idea is that audience tastes are surveyed as ...
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