Shakespeare and the Modern Stage; with Other EssaysDigiCat, 16. 9. 2022 - Počet stran: 183 In Sidney Sir Lee's 'Shakespeare and the Modern Stage; with Other Essays', readers are treated to a scholarly exploration of William Shakespeare's works and their relevance in the modern theatrical landscape. Lee's writing style is both accessible and erudite, making this collection of essays a valuable resource for those interested in Shakespearean literature and theater studies. Through detailed analyses of Shakespeare's plays and their adaptations, Lee sheds light on how these timeless works continue to captivate audiences across generations. The book also delves into the impact of modernity on the staging and interpretation of Shakespeare's plays, offering new insights into their timeless appeal. Sidney Sir Lee's deep knowledge of Shakespearean literature and theater history is evident in each essay, making this book a must-read for scholars and enthusiasts alike. With a keen eye for detail and a passion for the subject matter, Lee presents a compelling case for the continued relevance of Shakespeare in today's theatrical landscape. |
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Strana
... interest, and some new histrionic triumphs have been won. Within the same period, too, at least half a dozen new plays of serious literary aim have gained the approval of contemporary critics. These features of current dramatic history ...
... interest, and some new histrionic triumphs have been won. Within the same period, too, at least half a dozen new plays of serious literary aim have gained the approval of contemporary critics. These features of current dramatic history ...
Strana
... interest of Shakespearean drama is, in fact, deemed by the manager to be inadequate to satisfy the necessary commercial purposes of the theatre. The average purveyor of public entertainment reckons Shakespeare's plays among tasteless ...
... interest of Shakespearean drama is, in fact, deemed by the manager to be inadequate to satisfy the necessary commercial purposes of the theatre. The average purveyor of public entertainment reckons Shakespeare's plays among tasteless ...
Strana
... interest of the true significance of drama. No valid reason can be adduced why persons should appear on the stage who are not precisely indicated by the text of the play or by the authentic stage directions. When Cæsar is buried, it is ...
... interest of the true significance of drama. No valid reason can be adduced why persons should appear on the stage who are not precisely indicated by the text of the play or by the authentic stage directions. When Cæsar is buried, it is ...
Strana
... interest itself in Shakespeare's plays, if they were robbed of scenic upholstery and spectacular display. This estimate rests on insecure foundations. That section of the London public which is genuinely interested in Shakespearean ...
... interest itself in Shakespeare's plays, if they were robbed of scenic upholstery and spectacular display. This estimate rests on insecure foundations. That section of the London public which is genuinely interested in Shakespearean ...
Strana
... interest of the audience on the actor and actress; it gives them a dignity and importance which are unknown to the complex method. Under the latter system, the attention of the spectator is largely absorbed by the triumphs of the scene ...
... interest of the audience on the actor and actress; it gives them a dignity and importance which are unknown to the complex method. Under the latter system, the attention of the spectator is largely absorbed by the triumphs of the scene ...
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acting actor actor-manager actor-manager system admiration artistic audience Ben Jonson Benson's Betterton biography character Charles classical comedy contemporary Contents I Table countrymen critical D'Avenant D'Avenant's diary dramatic art dramatist Drury Lane Dryden Ducis Elizabethan Elizabethan playgoer endeavour England English experience France French Fuller genius gossip Hamlet Henry honour human imagination John Jonson Julius Cæsar King less lips literary drama literature lived London Lowin Macbeth memory methods Midsummer Night's Dream monument moral municipal theatre nation natural never Nicholas Rowe oral tradition Othello patriotic instinct Pepys saw Pepys's performance philosophy piece playgoing playhouse poet poet's poetic poetry present production realise rendering reputation Richard II rôle scenery scenic sentiment seventeenth century Shakespeare died Shakespeare's career Shakespeare's death Shakespeare's plays Shakespearean drama speech stage Stratford Stratford-on-Avon Table of Contents Tempest theatrical enterprise thou tragedy Twelfth Night William Beeston William Shakespeare writing wrote