Shakespeare and the Modern Stage; with Other EssaysDigiCat, 16. 9. 2022 - Počet stran: 183 In Sidney Sir Lee's 'Shakespeare and the Modern Stage; with Other Essays', readers are treated to a scholarly exploration of William Shakespeare's works and their relevance in the modern theatrical landscape. Lee's writing style is both accessible and erudite, making this collection of essays a valuable resource for those interested in Shakespearean literature and theater studies. Through detailed analyses of Shakespeare's plays and their adaptations, Lee sheds light on how these timeless works continue to captivate audiences across generations. The book also delves into the impact of modernity on the staging and interpretation of Shakespeare's plays, offering new insights into their timeless appeal. Sidney Sir Lee's deep knowledge of Shakespearean literature and theater history is evident in each essay, making this book a must-read for scholars and enthusiasts alike. With a keen eye for detail and a passion for the subject matter, Lee presents a compelling case for the continued relevance of Shakespeare in today's theatrical landscape. |
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... performances or other theatrical enterprises which have come to birth since the papers were first written. In the last year or two there have been several Shakespearean revivals of notable interest, and some new histrionic triumphs have ...
... performances or other theatrical enterprises which have come to birth since the papers were first written. In the last year or two there have been several Shakespearean revivals of notable interest, and some new histrionic triumphs have ...
Strana
... performance of a play of Shakespeare involves heavy financial risks. It is equally plain that, unless the views of theatrical managers undergo revolution, these risks are likely to become greater rather than smaller. The natural result ...
... performance of a play of Shakespeare involves heavy financial risks. It is equally plain that, unless the views of theatrical managers undergo revolution, these risks are likely to become greater rather than smaller. The natural result ...
Strana
... performance, the more convincing the testimony borne to the skill of the stage-manager. Again, no processions of psalm-singing priests and monks contribute to the essential illusion in the historical plays. Nor does the text of The ...
... performance, the more convincing the testimony borne to the skill of the stage-manager. Again, no processions of psalm-singing priests and monks contribute to the essential illusion in the historical plays. Nor does the text of The ...
Strana
... performance, or during the intervals between the acts, or as an accompaniment to great speeches in the progress of the play. There was no making love, nor any dying to slow music, although the stage directions were followed scrupulously ...
... performance, or during the intervals between the acts, or as an accompaniment to great speeches in the progress of the play. There was no making love, nor any dying to slow music, although the stage directions were followed scrupulously ...
Strana
... performance lasted nearly five hours, no sign of impatience manifested itself at any point. This was no exceptional experience at the Burg-Theater. Plays of Shakespeare are acted there repeatedly—on an average twice a week—and, I am ...
... performance lasted nearly five hours, no sign of impatience manifested itself at any point. This was no exceptional experience at the Burg-Theater. Plays of Shakespeare are acted there repeatedly—on an average twice a week—and, I am ...
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acting actor actor-manager actor-manager system admiration artistic audience Ben Jonson Benson's Betterton biography character Charles classical comedy contemporary Contents I Table countrymen critical D'Avenant D'Avenant's diary dramatic art dramatist Drury Lane Dryden Ducis Elizabethan Elizabethan playgoer endeavour England English experience France French Fuller genius gossip Hamlet Henry honour human imagination John Jonson Julius Cæsar King less lips literary drama literature lived London Lowin Macbeth memory methods Midsummer Night's Dream monument moral municipal theatre nation natural never Nicholas Rowe oral tradition Othello patriotic instinct Pepys saw Pepys's performance philosophy piece playgoing playhouse poet poet's poetic poetry present production realise rendering reputation Richard II rôle scenery scenic sentiment seventeenth century Shakespeare died Shakespeare's career Shakespeare's death Shakespeare's plays Shakespearean drama speech stage Stratford Stratford-on-Avon Table of Contents Tempest theatrical enterprise thou tragedy Twelfth Night William Beeston William Shakespeare writing wrote