Shakespeare and the Modern Stage; with Other EssaysDigiCat, 16. 9. 2022 - Počet stran: 183 In Sidney Sir Lee's 'Shakespeare and the Modern Stage; with Other Essays', readers are treated to a scholarly exploration of William Shakespeare's works and their relevance in the modern theatrical landscape. Lee's writing style is both accessible and erudite, making this collection of essays a valuable resource for those interested in Shakespearean literature and theater studies. Through detailed analyses of Shakespeare's plays and their adaptations, Lee sheds light on how these timeless works continue to captivate audiences across generations. The book also delves into the impact of modernity on the staging and interpretation of Shakespeare's plays, offering new insights into their timeless appeal. Sidney Sir Lee's deep knowledge of Shakespearean literature and theater history is evident in each essay, making this book a must-read for scholars and enthusiasts alike. With a keen eye for detail and a passion for the subject matter, Lee presents a compelling case for the continued relevance of Shakespeare in today's theatrical landscape. |
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... pieces mounted with simplicity and with a strict adherence to the requirements of the text. In such an event, the manager would be satisfied with a shorter run for each play. On the other hand, supporters of the existing system allege ...
... pieces mounted with simplicity and with a strict adherence to the requirements of the text. In such an event, the manager would be satisfied with a shorter run for each play. On the other hand, supporters of the existing system allege ...
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... piece was permitted by the rules of the playhouse. The programme was constantly changed. The scenic appliances were simple, adequate, and inexpensive. The supernumerary staff was restricted to the smallest practicable number. The ...
... piece was permitted by the rules of the playhouse. The programme was constantly changed. The scenic appliances were simple, adequate, and inexpensive. The supernumerary staff was restricted to the smallest practicable number. The ...
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... piece was listened to with breathless interest. It was acted practically without curtailment, and, although the performance lasted nearly five hours, no sign of impatience manifested itself at any point. This was no exceptional ...
... piece was listened to with breathless interest. It was acted practically without curtailment, and, although the performance lasted nearly five hours, no sign of impatience manifested itself at any point. This was no exceptional ...
Strana
... Piece out our imperfections with your thoughts; Into a thousand parts divide one man, And make imaginary puissance: Think, when we talk of horses, that you see them Printing their proud hoofs i' the receiving earth. For 'tis your ...
... Piece out our imperfections with your thoughts; Into a thousand parts divide one man, And make imaginary puissance: Think, when we talk of horses, that you see them Printing their proud hoofs i' the receiving earth. For 'tis your ...
Strana
... it would be neither superfluous nor impertinent for the manager to adjure the audience to piece out the "imperfections" of the scenery with their "thoughts" or imagination. The spectator's "imaginary puissance" is, practically in.
... it would be neither superfluous nor impertinent for the manager to adjure the audience to piece out the "imperfections" of the scenery with their "thoughts" or imagination. The spectator's "imaginary puissance" is, practically in.
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acting actor actor-manager actor-manager system admiration artistic audience Ben Jonson Benson's Betterton biography character Charles classical comedy contemporary Contents I Table countrymen critical D'Avenant D'Avenant's diary dramatic art dramatist Drury Lane Dryden Ducis Elizabethan Elizabethan playgoer endeavour England English experience France French Fuller genius gossip Hamlet Henry honour human imagination John Jonson Julius Cæsar King less lips literary drama literature lived London Lowin Macbeth memory methods Midsummer Night's Dream monument moral municipal theatre nation natural never Nicholas Rowe oral tradition Othello patriotic instinct Pepys saw Pepys's performance philosophy piece playgoing playhouse poet poet's poetic poetry present production realise rendering reputation Richard II rôle scenery scenic sentiment seventeenth century Shakespeare died Shakespeare's career Shakespeare's death Shakespeare's plays Shakespearean drama speech stage Stratford Stratford-on-Avon Table of Contents Tempest theatrical enterprise thou tragedy Twelfth Night William Beeston William Shakespeare writing wrote