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She leaned over, her eyes shining with the excitement of her thought, to shake him by both shoulders. The pan of peas promptly deluged him. They both laughed.

"I'd never looked at it that way," Bob confessed,

"It's the only way to look at it."

"Why!" cried Bob, in the sudden illumination of a new idea. "The more money I make, the more good I'll do that's a brand new idea for you!"

He rose to his feet, slowly, and stood for a moment lost in thought. Then he looked down at her, a fresh admiration shining in his eyes.

"Yours is the inspiration and the insight - as always," he said humbly. "It has always been so. I have seemed to myself to have blundered and stumbled, groping for a way; and you have flown, swift as a shining arrow, straight to the mark."

"No, no, no, no!" she disclaimed, coming close to him in the vigour of her denial. "You are unfair."

She looked up into his face, and somehow in the earnestness of her disclaimer, the feminine soul of her rose to her eyes, so that again Bob saw the tender, appealing helplessness, and once more there arose to full tide in his breast the answering tenderness that would care for her and guard her from the rough jostling of the world. The warmth of her young body tingled in recollection along his arm, and then, strangely enough, without any other direct cause whatever, the tide rose higher to flood his soul. He drew her to him, crushing her to his breast. For an instant she yielded to him utterly; then drew away in a panic.

"My dear, my dear!" she half whispered; "not here!"

B

XLI

OB rode home through the forest, singing at the top of his voice. When he met his father, near the

lower meadow, he greeted the older man boisterously. "That," said Orde to him shrewdly, "sounds to me mighty like relief. Have you decided for or against?"

"For," said Bob. "It's a fine chance for me to do just what I've always wanted to do to work hard at what interests me and satisfies me."

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"Go to it, then," said Orde. "By the way, Bobby, how old are you now?"

"Twenty-nine."

"Well, you're a year younger than I was when I started in with Newmark. You're ahead of me there. But in other respects, my son, your father had a heap more sense; he got married, and he didn't waste any time on it. How long have you been living around in range of that Thorne girl. anyway? Somebody ought to build a fire under you."

Bob hesitated a moment; but he preferred that his good news should come to his father when Amy could be there, too. "I'm glad you like her, father," said he quietly.

Orde looked at his son, and his voice fell from its chaffing tone. "Good luck, boy," said he, and leaned from his saddle to touch the young man on the shoulder.

They emerged into the clearing about the mill. Bob looked on the familiar scene with the new eyes of a great spiritual uplift. The yellow sawdust and the sawn lumber; the dark forest beyond; the bulk of the mill with its tall pines; the dazzling plume of steam against the very blue sky, all these appealed to him again with many voices, as they had

years before in far-off Michigan. Once more he was back where his blood called him; but under conditions which his training and the spirit of the new times could approve. His heart exulted at the challenge to his young manhood.

As he rode by the store he caught sight within its depths of Merker methodically waiting on a stolid squaw.

"No more economic waste, Merker!" he could not forbear shouting; and then rocked in his saddle with laughter over the man's look of slow surprise. "It's his catchword," he explained to Orde. "He's a slow, queer old duck, but a mighty good sort for the place. There's Post, in from the woods. He's woods foreman. I expect I'll have lively times with Post at first, getting him broken into new ways. But he's a good sort, too."

"Everybody's a good sort to-day, aren't they, son?" smiled Orde.

Welton met them, and expressed his satisfaction over the way everything had turned out.

"I'm going duck shooting for fair," said he, "and I'm going fishing at Catalina. Out here," he explained to Orde, you sit in nice warm sun and let the ducks insult you into shooting at 'em! No freeze-your-fingers-and-break-the-ice early mornings! I'm willing to let the kid go it! He can't bust me in two years, anyway."

Later, when the two were alone together, he clapped Bob on the back and wished him success.

"I'm too old at the game to believe much in new methods to what I've been brought up to, Bob," said he; "but I believe in you. If anybody can do it, you can; and I'd be tickled to see you win out. Things change; and a man is foolish to act as though they didn't. He's just got to keep playing along according to the rules of the game. And they keep changing, too. It's good to have lived while they're making a country. I've done it. You're going to."

THE END

GROSSET & DUNLAP'S
Great Books at
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HAPPY HAWKINS. By Robert Alexander Wason. Illustrated by Howard Giles.

A ranch and cowboy novel. Happy Hawkins tells his own story with such a fine capacity for knowing how to do it and with so much humor that the reader's interest is held in surprise, then admiration and at last in positive affection.

COMRADES. By Thomas Dixon, Jr. Illustrated by C. D. Willis.

The locale of this story is in California, where a few socialists establish a little community.

The author leads the little band along the path of disillusionment, and gives some brilliant flashes of light on one side of an important question.

TONO-BUNGAY. By Herbert George Wells.

The hero of this novel is a young man who, through hard work, earns a scholarship and goes to London.

Written with a frankness verging on Rousseau's, Mr. Wells still uses rare discrimination and the border line of propriety is never crossed. An entertaining book with both a story and a moral, and without a dull page-Mr. Wells's most notable achievement. A HUSBAND BY PROXY. By Jack Steele.

A young criminologist, but recently arrived in New York cit is drawn into a mystery, partly through financial need and partly through his interest in a beautiful woman, who seems at times the simplest child and again a perfect mistress of intrigue. A baffling detective story.

LIKE ANOTHER HELEN. By George Horton. Illustrated by C. M. Relyea.

Mr. Horton's powerful romance stands in a new field and brings an almost unknown_world in reality before the reader-the world of conflict between Greek and Turk on the Island of Crete. The "Helen" of the story is a Greek, beautiful, desolate, defiant-pure

as snow.

There is a certain new force about the story, a kind of mastercraftsmanship and mental dominance that holds the reader. THE MASTER OF APPLEBY. By Francis Lynde. Illustrated by T. de Thulstrup.

"A novel tale concerning itself in part with the great struggle in the two Carolinas, but chiefly with the adventures therein of two gentlemen who loved one and the same lady.

A strong, masculine and persuasive story.

A MODERN MADONNA. By Caroline Abbot Stanley. A story of American life, founded on facts as they existed some years ago in the District of Columbia. The theme is the maternal love and splendid courage of a woman.

GROSSET & DUNLAP, 526 WEST 26th ST., NEW YORK

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Original, sincere and courageous-often amusing the kind that are making theatrical history.

MADAME X. By Alexandre Bisson and J. W. McConaughy. Illustrated with scenes from the play.

A beautiful Parisienne became an outcast because her husband would not forgive an error of her youth. Her love for her son is the great final influence in her career. A tremendous dramatic success.

THE GARDEN OF ALLAH. By Robert Hichens.

An unconventional English woman and an inscrutable stranger meet and love in an oasis of the Sahara. Staged this season with magnificent cast and gorgeous properties. THE PRINCE OF INDIA. By Lew. Wallace.

A glowing romance of the Byzantine Empire, presenting with extraordinary power the siege of Constantinople, and lighting its tragedy with the warm underglow of an Oriental romance. As a play it is a great dramatic spectacle. TESS OF THE STORM COUNTRY. By Grace

Miller White. Illust. by Howard Chandler Christy. A girl from the dregs of society, loves a young Cornell UniJersity student, and it works startling changes in her life and the lives of those about her. The dramatic version is one of the sensations of the season.

YOUNG WALLINGFORD. By George Randolph

Chester. Illust. by F. R. Gruger and Henry Raleigh. A series of clever swindles conducted by a cheerful young man, each of which is just on the safe side of a State's prison offence. As "Get-Rich-Quick Wallingford," it is probably the most amusing expose of money manipulation ever seen on the stage.

THE INTRUSION OF JIMMY. By P. G. Wodehouse. Illustrations by Will Grefe.

Social and club life in London and New York, an amateur burglary adventure and a love story. Dramatized under the title of "A Gentleman of Leisure," it furnishes hours of laughter to the play-goers.

GROSSET & DUNLAP, 526 WEST 26th ST., NEW YORK

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