Shakespeare's Changing Use of Psychological Reference in His ComediesStanford University, 1978 - Počet stran: 504 |
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Strana 93
... Orsino believes his love is so great that he need not accept Olivia's refusal ; Olivia , in mourning , refuses to hear Orsino's suit and be- lieves she is proof against love ; and Malvolio believes that because he is " virtuous ...
... Orsino believes his love is so great that he need not accept Olivia's refusal ; Olivia , in mourning , refuses to hear Orsino's suit and be- lieves she is proof against love ; and Malvolio believes that because he is " virtuous ...
Strana 98
... Orsino's mistress and his fancy's queen " [ V , i , 397 ] . Orsino , the connoisseur of love , must cast off his exaggerated pose as a lover to become the lover and husband of Viola . But he is not the only emotional poser in the play ...
... Orsino's mistress and his fancy's queen " [ V , i , 397 ] . Orsino , the connoisseur of love , must cast off his exaggerated pose as a lover to become the lover and husband of Viola . But he is not the only emotional poser in the play ...
Strana 100
... Orsino , promises to " sing / And speak to him in many sorts of music " [ 1 , ii , 57-8 ] , and by the end of the first act , has confessed that " whoe'er I woo , myself would be his wife . " Orsino , charmed by her youth and femininity ...
... Orsino , promises to " sing / And speak to him in many sorts of music " [ 1 , ii , 57-8 ] , and by the end of the first act , has confessed that " whoe'er I woo , myself would be his wife . " Orsino , charmed by her youth and femininity ...
Běžně se vyskytující výrazy a sousloví
Achilles action All's Angelo Antonio appetite argues Bassanio behavior believes Bertram blood Bullough Camillo casket characters Christian Claudio Comedy of Errors complicated confusion contrasts Countess create crimes Cymbeline describes Dramatic Sources Duke Elizabethan emotions Ends ethical evil explain faculty psychology final Florizel fool Gentlemen of Verona golden Greek happiness hath hatred Hector Helena Hermione hierarchical honor Hooker human humour imagination innocence interpretation Isabella jealousy judgment justice King Lafeu language later comedies Leontes Love's Labour's Lost lovers madness Malvolio man's Measure for Measure medieval melancholy Merchant of Venice mercy Minde in Generall motive Narrative and Dramatic nature Olivia Orsino parallel Parolles pastoral Perdita plot Polixenes Portia portrayed Posthumus promise protagonists Proteus rational reason recognizes renaissance repentance role romance scene sense Shakespeare Shakespeare's play Shakespearean comedy Shylock sins soul thou Troilus and Cressida Trojan Twelfth Night villains Viola virtue warns wife Winter's Tale wisdom