Shakespeare's Changing Use of Psychological Reference in His ComediesStanford University, 1978 - Počet stran: 504 |
Vyhledávání v knize
Výsledky 1-3 z 81
Strana 8
... comic form and its subject matter . He found it by joining the " medieval " strategy for comic movement and subject to the closely determined incident of classical comedy . Muriel Bradbrook argues that Shake- spearean comedy constitutes ...
... comic form and its subject matter . He found it by joining the " medieval " strategy for comic movement and subject to the closely determined incident of classical comedy . Muriel Bradbrook argues that Shake- spearean comedy constitutes ...
Strana 10
... comic conflicts , and as Shakespeare's tragic heroes grow increasingly responsible for their tragic falls , so his comic characters become more deserving of and more instrumental in shaping , their comic redemptions . As Shakespeare ...
... comic conflicts , and as Shakespeare's tragic heroes grow increasingly responsible for their tragic falls , so his comic characters become more deserving of and more instrumental in shaping , their comic redemptions . As Shakespeare ...
Strana 56
... comic form with its own aesthetic purpose and narrative technique . Many would argue that they are Shakespeare's finest comedies . By investigating Shakespeare's use of psychological and ethical material , I hope to suggest some of the ...
... comic form with its own aesthetic purpose and narrative technique . Many would argue that they are Shakespeare's finest comedies . By investigating Shakespeare's use of psychological and ethical material , I hope to suggest some of the ...
Běžně se vyskytující výrazy a sousloví
accept action affections All's allow Anatomy of Melancholy Angelo Antonio appears argues become behavior believes Bertram blood body characters choice Christian classical Claudio comedy comic complicated confusion contrasts create critical describes desires discussion dramatic Duke earlier Elizabethan error ethical evil explain faculty fall final golden happiness hath heart Helena honor human humour imagination interest interpretive jealousy judgment justice King knowledge language later Leontes less lost lovers man's Measure Merchant of Venice mercy moral motive Narrative nature never Night offers Olivia Orsino parallels passion pastoral Plautus play plot presented Press problem promise proper Proteus psychology qualities rational reason recognizes reference renaissance repentance role romance scene sense Shakespeare Shylock similar sins soul story structure suggest Tale things thou true truth Twelfth types University Viola virtue warns weakness wife wisdom