Shakespeare's Changing Use of Psychological Reference in His ComediesStanford University, 1978 - Počet stran: 504 |
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Strana 29
... interpretive " psychology cannot be separated . Robert Hoopes , in tracing the concept of right reason from its sources in the ancient world to its last great statement in Milton's Paradise Lost , points out that The tradition of ...
... interpretive " psychology cannot be separated . Robert Hoopes , in tracing the concept of right reason from its sources in the ancient world to its last great statement in Milton's Paradise Lost , points out that The tradition of ...
Strana 30
... interpretive " psychology . This is to say , in the early plays , Shakespeare limits his use of psychology to describing the development of passions or to establishing motive or temperament ; he uses psychology to create comedy and to ...
... interpretive " psychology . This is to say , in the early plays , Shakespeare limits his use of psychology to describing the development of passions or to establishing motive or temperament ; he uses psychology to create comedy and to ...
Strana 46
... interpretive psychology ; in faculty psychology all actions can be so judged . The point is that Shakespeare does not emphasize Proteus ' errors , nor does he clarify Silvia recognizes Proteus , " 1 the means by which he might be judged ...
... interpretive psychology ; in faculty psychology all actions can be so judged . The point is that Shakespeare does not emphasize Proteus ' errors , nor does he clarify Silvia recognizes Proteus , " 1 the means by which he might be judged ...
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accept action affections All's allow Anatomy of Melancholy Angelo Antonio appears argues become behavior believes Bertram blood body characters choice Christian classical Claudio comedy comic complicated confusion contrasts create critical describes desires discussion dramatic Duke earlier Elizabethan error ethical evil explain faculty fall final golden happiness hath heart Helena honor human humour imagination interest interpretive jealousy judgment justice King knowledge language later Leontes less lost lovers man's Measure Merchant of Venice mercy moral motive Narrative nature never Night offers Olivia Orsino parallels passion pastoral Plautus play plot presented Press problem promise proper Proteus psychology qualities rational reason recognizes reference renaissance repentance role romance scene sense Shakespeare Shylock similar sins soul story structure suggest Tale things thou true truth Twelfth types University Viola virtue warns weakness wife wisdom