Shakespeare's Changing Use of Psychological Reference in His ComediesStanford University, 1978 - Počet stran: 504 |
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Strana
... man's needs and desires , his " personality , " and his behavior : both query man's motives for actions and clarify the personal and social consequences of his actions . To this extent , a dramatist is not only working with and moulding ...
... man's needs and desires , his " personality , " and his behavior : both query man's motives for actions and clarify the personal and social consequences of his actions . To this extent , a dramatist is not only working with and moulding ...
Strana 14
... man's body and soul . In De Anima Aristotle describes man's soul as tripartite nutritive , sensitive , and rational -- and in the Nicomachean Ethics he defines man's teleological purpose as the achievement of happiness through the ...
... man's body and soul . In De Anima Aristotle describes man's soul as tripartite nutritive , sensitive , and rational -- and in the Nicomachean Ethics he defines man's teleological purpose as the achievement of happiness through the ...
Strana 29
... man's position in the created universe ( by reference , that is , to man's heirarchical position between angel and beast ) . In the last two cases the moral judgment is made explicit . " Descriptive " psychology makes a character's ...
... man's position in the created universe ( by reference , that is , to man's heirarchical position between angel and beast ) . In the last two cases the moral judgment is made explicit . " Descriptive " psychology makes a character's ...
Běžně se vyskytující výrazy a sousloví
Achilles action All's Angelo Antonio appetite argues behavior believes Bertram blood Bullough Camillo characters Christian classical comedy Claudio Comedy of Errors comic strategy confusion contrasts Countess create crimes Cymbeline describes Dramatic Sources Duke Elizabethan ethical evil explain faculty psychology final Florizel Gentlemen of Verona golden Greek happiness hath hatred Hector Helena Hermione hierarchical honor Hooker human humour imagination innocence interpretive Isabella jealousy judgment justice King Lafeu language later comedies Leontes Love's Labour's Lost lovers madness Malvolio man's Measure for Measure medieval melancholy Merchant of Venice mercy Minde in Generall motive Narrative and Dramatic nature Olivia Orsino parallels Parolles passion pastoral Perdita Polixenes Portia portrayed promise protagonists Proteus rational reason renaissance repentance role romance scene sense Shakespeare Shakespeare's Plays Shakespearean comedy Shylock sins soul STANFORD thou Troilus and Cressida Trojan truth Twelfth Night University villains Viola virtue warns wife Winter's Tale wisdom